SLAM2 is designed to hide the complex and great-sounding processing behind the scenes and present a simple and inspiring Interface that is very intuitive and has all controls needed to “Phatten” Channel, Drums, Vocals, Synths, or an entire mix with just a few controls. Behind this simple interface lies very very complex processing.
Black Q is a 4 band Tube Eq with 2 modes of saturation. These are modeled from analog equipment featuring Sowter and Lundahl transformers and Various Tubes. A NEW AND IMPROVED VERSION OF BLACK Q – V2, NOW FEATURES OVERLAPPING BANDS AND NEW FREQUENCY RANGES AS WELL AS OVERSAMPLING FOR MORE “ANALOG” BEHAVIOR
While making a lot of different compression styles possible, it’s general nature may be described as: clear, smooth, open, distinct.The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost unevitable artefacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration. If you aim for colour you can choose between two saturation models. From opto style, peak compression, RMS compression, Feedback, Feedforward compression (and everything inbetween) to negative ratios, zero latency brickwall limiting, from snappy transient treatment to smooth transient rounding – everything is possible.
Pads is a thriving and organic pad synthesizer. It consists of a wavetable synth with a noise/grain generator and a high cut filter. With a carefully developed ”wobbler” that detunes the waveforms and makes very small inconsistencies to several internal parameters and a nice sounding chorus, this synthesizer is able to create some really interesting and non-statical pad sounds.
Toolbox ULTIMATE includes all the snapin hosts to take full advantage of the snapins you now own. Experience the flexibility of endless combinations between the effects and the host plugins! Moving outside of the snapin eco-system, all other KLHs plugins still support the modular workflow in one way or another (except kHs ONE). That’s why we created the KHS Toolbox ULTIMATE which gives you eveything we ever released so you can get as creative as you like. Explore the hundreds of professional factory presets throughout these plugins by various professional preset makers and artists from around the world (but mostly Germany by some fluke). Just Phase Plant alone has over 400 carefully curated presets to start you off before getting into modifying, and creating your own.
The Delay Eternity started on the same drawing board as our award winning, next-gen software synth Pigments. We knew we wanted to create a delay with deep modulation power, but we also wanted to integrate some seriously contemporary features that would let both experimental and traditional music producers experience a delay like they’ve never heard before. We used the same expertise we’ve honed over the years, analyzing and recreating famous synths and studio gear, but this time we were going to play by our rules.
It triggers MIDI notes, velocity and octaves totally randomly, within a chosen range of values and/or with a selected level of inertia.
