TDR Limiter 6 GE is a modern dynamics compression and limiting toolkit featuring six specialized modules that can be arranged in variable order. Together, they cover a remarkable range of applications from delicate loudness control, to brutal “brick-walling” and creative mix bus crunching.
CRTIV Chorus is a stereo chorus effect AAX, AU and VST plugin for professional music production applications. Chorus is able to produce stereo-widening and weird modulation effects. Chorus plugin uses 4 operators for each channel thus creating a quite dense stereo chorus sound.
SampleX brings you accurately modeled vintage sampler emulation. Dial-in the sample rate, bit rate, aliasing, input drive and filter settings to sound like any sampler, or design your own! Multiple sampler emulation presets already included. In today’s advanced age of music tools that seek the “cleanest”, most “perfect” sounds, there has suddenly been a desire for the “Gritty” sounds of the machines of the past. Once such quest has been the acquisition of old, primitive samplers and sample drum machines like the EMU SP1200, AKAI s900/950, and others. This has increased the rate of these machines to 10s of thousands of dollars. The sound that producers and artists seek in these boxes is usually the low bit rates and sample rates resulting in an “aliased” sound or “artifacts” as we now call them. These limitations of the vintage machines have now become very desired and sought after sound. Just sample rate reduction and “Bit crushers” have yet to actually sound like old machines.
BMS is a bass management system AAX, AudioUnit and VST plugin for professional surround sound applications. BMS is able to extract and manipulate low-frequency content of non-LFE channels in up to 7.1 surround configurations. The main purpose of BMS is to simplify evaluation of low-frequency content present in non-LFE channels during mastering. At the same time, it is possible to mix extracted low-frequency content to the LFE (“Low Frequency Effects”) channel. An option to remove the extracted signal from non-LFE channels is also available. In BMS you can specify a desired frequency of the crossover filter, and adjust its steepness.
Slap Bass was sampled from a Fender Jazz electric bass guitar with Carvin J99 pickups and DR Hi-Beam bass strings directly into a Radial Pro48 DI Box. An extended range was obtained by tuning the E-string all the way down to a C. The low B (B0) of a standard 5-string bass was omitted do to “floppiness” from down-tuning. “Slap” and “pop” articulations were carefully and meticulously recorded for each note, although in the extreme upper range of the bass, do to tension of the string, normal notes starts to become indistinguishable from a pop articulations. Regular notes were recorded with a guitar pick, in order to maintain a semi-percussive and metallic sound.
Designed ground up to create nothing but great kicks. Three sections of Body, Thump and Noise For quick but still detailed control. Warm EQ is an old school style EQ that adds very mild saturations when pushing the levers up. Great for sculpting and giving your kicks that extra ohmpf. Customizeable interface with different color themes and knob styles, CPU friendly, Available for Mac OS X in VST and AU format and for Windows in VST format. Built from ground up in C++.
The sound of big studio hardware reborn as software effects Let’s face it, there are hundreds of software effects out there. You don’t have the time or the budget to try them all out and find the ones you like. 3 Compressors You’ll Actually Use features – you’ve guessed it – a trio of legendary compressors recreated as software through physical modelling. In the same way the biggest studios and record artists relied on these compressors to achieve their signature sounds, they will become your go-to choice for shaping the dynamics and adding character to your music. Iconic tone, unique abilities, and 21st century features you’ll come back to time and time again.
