Ozone 9 delivers the latest in audio technology with new tools for instrument balance and low end, smarter audio assistance, and improved performance.
Fusia is a unique multi-tool designed to sculpt sounds that shimmer and reflect, freeze and distort, delay and scatter. Working in the spectral domain Fusia is a one octave up/down pitch shifter that grabs the incoming audio signal and routes it however you choose – through a waveshaper, a delay line, a spectral freeze and a random function. Some of Fusia’s specialties include subtle, pitch-shifted delays; spectrally frozen distortion drones; octave layering, and chaotic randomized re-pitching. Fusia is perfect for adding embellishments on top of your existing audio and will easily get you to sonic places you never thought of!
The infamous FSU plugin is back! And yes, there’s finally a Mac version! Glitch is an audio effect plugin for Windows (VST), Mac (VST and AU) and Linux (VST), available in both 32-bit and 64-bit formats. Featuring a new and improved sequencer which can play multiple effects simultaneously, with the ability to trigger unique scenes from every note on your keyboard, Glitch can be as gentle or as brutal as you like. Add the occasional splash of retrigger or stretcher to single hits within your drum loop, or fill the entire sequencer with random effect blocks for a totally chaotic trip down the digital rabbit hole… the choice is yours!
The SoundGrid Studio System is a real-time processing and networking platform designed to bring your studio up to light speed. It allows your DAW to offload its plugin processing and enables your devices to communicate with one another and with the devices of the people you work with. The SoundGrid Studio system integrates seamlessly with all DAWs and SoundGrid-compatible I/Os, providing endless possibilities for setups of every size—from a single DAW with one SoundGrid I/O, to an entire network of host computers, I/Os, and SoundGrid DSP servers.
AudioLava is audio cleaning software for restoring & recording high quality audio from LP or tape to CD. AudioLava is the ideal audio cleaning software for restoring and recording high quality audio from LP or tape to CD. The new version now runs on both Macintosh and Windows PCs and comes with a modern dark theme that appears crystal sharp on retina style displays. The user friendly interface helps to find the best way to bring old recordings back to life and guides the user through all the steps from recording, file import and track splitting to restoration and CD burning.
At first glance, no one would have thought that removing the seemingly insignificant metal rods separating the notes on the bass guitar fretboard would open up a whole new harmonic panorama and turn it into an almost completely new instrument. But it really is. Sublime and high-pitched violin character, almost weightless glissando, rich, full and hearty sustain and incredibly unique overall expressiveness are qualities that make it impossible to confuse it with traditional bass. It is produced by a subtle vibrato or just a beat of one note. The Fretless EBX comes with a carefully selected instrument sampled with maximum detail to capture all of these unique characteristics. Besides sounds, it also includes a wide selection of presets, as well as customizable MIDI content tailored for fretless playing styles.
AmpliTube software has forged a formidable reputation over the years for offering a comprehensive array of digital tone-tweaking tools, but AmpliTube 5 promises to eclipse its predecessors with with a newly designed GUI that is fully scalable and supports Retina displays, an enhanced user experience, and more gear. A lot more gear. All in, there are 129 new models, making for a total of over 400 gear models in the AmpliTube 5 MAX version, plus cabinet section that has been retooled using new Volumetric Impulse Response (VIR) technology, improving power amp/speaker cab interactions for more authentic tone and feel. The VIR tech was developed by measuring 600 IRs per speaker of every existing and new cabinet model, making for 143,000 IRs in total, allowing for a three-dimensional grid interface for mic placement. You can also now import and load your own IRs. Also new to AmpliTube 5, we’ve got an expanded, fully configurable signal chain that allows you to deploy a wet-dry-wet configuration and experiment with more complicated setups – series and parallel routing? Fill your boots.
