Phoenix II v2.0.0 macOS

Team FLARE | 15 FEBRUARY 2026 | 61.9 MB

Phoenix II is an update of Crane Song’s suite of TDM plug-ins designed to emulate the unique properties of a magnetic tape machine. Phoenix II runs both NATIVE and DSP on Avid’s AAX format. Beta now available with additional AU and VST3 formats! Phoenix II uses 32 bit floating point math and has a lower noise floor than the original release. Designer Dave Hill has crafted this software with the same attention to detail he used to create the electronics for ATR Service’s much heralded “Aria” discrete tape recorders. His intimate knowledge of analog electronics, as well as decades of experience as a recording engineer has spawned a very useful, musical suite of plug-ins. The Phoenix II process not only incorporates the nonlinear saturation characteristics created by magnetic tape itself, but also includes the interrelation of an analog tape recorder’s record/reproduce electronics and equalization curves. Phoenix II is a ground-up application derived from HEDD technology, and specifically engineered and optimized for Avid’s AAX architecture.

KORG ARP 2600 U2B macOS

MORiA | 16 August 2025 | 260.1MB

…: STANDALONE | AUi | VST3i :…

The one and only ARP 2600. The iconic ARP 2600. It’s the one synth you can expect to see in every major studio. They demand astronomical prices on the second hand market. When KORG released the limited- edition ARP 2600 FS in 2020, they sold out immediately world-wide. Now, KORG is pleased to present the first truly accurate software re-creation of this essential synthesizer: the KORG Collection ARP 2600. KORG’s proprietary CMT technology faithfully reproduces the distinctive waveforms and filters, the custom LFO and envelope shapes, the many subtle nonlinearities, even the behavior of the patch panel – unlike any other 2600 software instrument. Thanks to this obsessive attention to detail, you can open the original ARP 2600 Patch Book (available as a free PDF on KORG’s website), hook up each of the 100 patches on screen, and they will sound just like an authentic ARP 2600 – something that no other 2600 plug-in can do.

Character v1.17.1 MAC

Team HCiSO | 25 January 2025 | 25.11 MB

CHARACTER intelligently enhances the tonal spectrum and dynamics(!) found in your instruments and vocals by automatically adjusting complex sets of parameters rather than merely boosting a specific frequency region. This revolutionary approach allows you to get to desired results quicker, via just three intuitive controls.

BLACK Q v3 macOS

MORiA | 21 November 2024 | 31.2 MB

Whats new in BLACKQ – Version 3 ? A NEW AND IMPROVED VERSION OF BLACK Q – V2, NOW FEATURES OVERLAPPING BANDS AND NEW FREQUENCY RANGES AS WELL AS OVERSAMPLING FOR MORE “ANALOG” BEHAVIOR. The Philosophy behind Smooth Tube EQ. At T.E we are obsessed with “Sound”. We recently brought a vintage unit to life by building the hardware version over 6 months, changing tubes, transformers and signal paths.

Tonal Balance Control 2 MAC

MORiA | 22 November 2024 | 45.2 MB

AU/VST/VST3/AAX

Tonal Balance Control 2 The plugin allows you to make level adjustments to your tracks while checking your tonal balance in real-time. Finalize and fine-tune your master using target curves for different genres. Use Tonal Balance Control 2 in your mix session and adjust gain and EQ for Nectar, Neutron, other compatible iZ plug-ins and improved UI scaling for easier EQing.

SPL BiG v1.0.1 U2B macOS

MORiA | 14 December 2024 | 50.8 MB

…: AU | VST | VST3 :…

The masters of analog modeling, are back with the plugin of SPL BiG. The 2024 TEC Signal Processing Award-winner, this studio stereo expander won praise from the pros for its huge sound and ingenious design. BiG is fun to use. BiG is distinct. BiG offers new imaginative avenues for sound shaping. Make your mixes sound massive with zero phase issues.

.:MU v1.6.4 MAC:.

GUiSEPPE | 03 June 2025 | 54.3 MB

There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters. Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows.