This course teaches you how to use all the major features of NAudio, and open source audio library for .NET. It includes plenty of code examples for playback, recording, working with files and codecs, streaming and visualising. You’ll also learn about what underlying system APIs are being used by NAudio, so you can ensure your application runs as expected on all target operating systems.
The DVD will help take your playing to the next level. Professor Anthony Vitti shares his proven method for improving the fundamental skills required to freely express yourself on the bass in many musical styles. The easy-to-understand exercises and demonstrations in this DVD can be applied to all levels and styles.Clear and detailed instruction is given both onscreen and in the accompanying 80-page booklet. 55 minutes.
This guitar method is for everyone who is interested in the Flamenco guitar and its techniques. The logically structured method may serve as a guideline for everyone who has not found the right teacher or teaching materials yet, for everyone who plays Flamenco guitar, but still has questions about right hand techniques, and for everyone who teaches Flamenco guitar. At the same time, it is a reference book on questions about Flamenco in general. The two volumes contain all aspects I consider important to Flamenco guitar playing: instrumentology, the history of Flamenco, a description of the different styles and their complicated rhythms, and a comprehensive glossary. Notation and tablature are not explained in this book because I assume that everyone knows these facts, as well as the basic techniques of the classical guitar. The tablature includes note values because I think that even tablature readers use them to orient themselves, even if it´s not done consciously.
Ableton Live comes jam-packed with a ton of factory Max FX and Plugins. What do they do? How do they work and how do you use them? Find out right now in this exploratory course by Gary Hiebner… The MAX programming environment is built right in to Ableton Live. Designing your own plugins requires some pretty deep programming skills. No worries, we have some amazing courses to teach you those! However, sometimes the best way to understand how Max For Live works is to explore with plugins that already exist! That’s why this course takes you step-by-step through the factory M4L plugins. It shows you how to deploy them them into your production workflow. You learn how to operate the audio, MIDI and instrument Max plugins that are packaged with Live. We know that once you understand how they work, they’ll inspire you to think about plugins and instruments in a completely new way.
New series of tutorials tackling the analog sounding professional effect plug-ins from SoundToys! Watch as Scottie explores the Decapitator, Devil Loc, Little Microshift, Radiator, Panman, Tremolator, FilterFreak, PhaseMistress, Crystallizer and Echoboy. They’re all here and Scottie gives you the knowledge you need to get the most out of these amazing plug-ins and more. Scottie kicks the series off with the analog saturation modeler Decapitator. From the subtle ways to use Decapitator, to dialing in a punishing effect, Scottie covers it all. Next up is the audio level destroyer Devil-Loc. Inspired by the classic Shure Level-Loc, This plug-in can burn, scorch and destroy whatever you send it, but of course it also can be used for good. Scottie demonstrates this very simple yet powerful and tasty device, its parameters and how to put it to use.
The Definitive Visual History guides readers through the progression of music since its prehistoric beginnings, discussing not just Western classical music, but music from all around the world. Telling the story of musical developments, era by era, linking musical theory, technology, and human genius into the narrative, Music: The Definitive Visual History profiles the lives of groundbreaking musicians from Mozart to Elvis, takes an in-depth look at the history and function of various instruments, and includes listening suggestions for each music style.
