Final Cut Pro X and Logic Pro X: 1 Audio Post Workflow TUTORiAL

P2P | 31 August 2017 | 1.92 GB

In film, sound is a crucial part of good storytelling. A film’s audio carries the information, data, and plotline of a movie to its audience. Although Final Cut Pro X has wonderful sound editing tools, there are many advantages to using a dedicated digital audio workstation (DAW) for your final mix. In this course, video editing pro Michael Towe looks at using Logic Pro X for doing just this. He covers what steps to take in Final Cut Pro X to prepare your footage, as well as how to export your film to Logic Pro X, import and mix your soundtrack in Logic Pro X, and then import and re-sync your soundtrack in Final Cut Pro X. Upon wrapping up this course, you’ll be better equipped to enhance your final mix by leveraging the tools in a DAW.

Ableton Live Tips & Tricks TUTORiAL

ilfsn | 31.08.2017 | 440 MB

3 Hours

“Ableton Live Tips & Tricks” is presented by remixer extraordinaire Timothy Allan, whose remixes have reached #1 on the UK dance charts and placed high on US Billboard, DMC and Australia ARIA charts. In this series, Tim digs deep into his Ableton Live locker and shows you the tips and tricks he uses most when working in Ableton Live. Tim starts the series out with inspiring effect tricks that will improve your production’s sound and impact, then covers cool mixing and production tips designed to open new doors when working in Ableton Live. Finally, Tim wraps up the offering with important workflow suggestions that will speed up your production process and make your life in Ableton Live easier, more enjoyable and productive. Move your Ableton Live knowledge up a notch and improve your workflow and creativity with these awesome power packed tips and tricks from remix superstar Timothy Allan today.

Recording Fundamentals TUTORiAL

ilfsn | 30.08.2017 | 3.3 Hours | 1.52 GB

Based on the knowledge and experience of award-winning veterans of the music production and record industries, Recording Fundamentals with Dave Darlington provides all the essentials you need to help you make recordings in your studio that compare to those from the top facilities in the business. Hosted and written by two-time Grammy®-winning recording engineer/producer David Darlington, and co-written and directed by producer and music-technology veteran Rusty Cutchin, the series covers all the fundamentals from basic sound and electronics to mixing, mastering, and distribution while providing insider tips and tricks gleaned from a combined 80 years of music making, recording, and educating with some of the biggest names in the business.

Improve Your Funk Mixes TUTORiAL

SYNTHiC4TE | August 29 2017 | 865 MB

Learn how to mix a funky pop record from start to finish including levels, EQ, compression, effects and more. Includes multitracks for practice.

Introduction to Songwriting TUTORiAL

P2P | 29 August 2017 | 73 MB

Becoming a successful songwriter takes equal parts inspiration, mechanics, and marketing. You need to know how to craft compelling songs and understand music theory and sell yourself in a competitive industry. Join Cliff Goldmacher in this course for an introduction to the major aspects of songwriting. He starts with breaking down what it means to be a songwriter and the skills you need to succeed. He reviews the fundamental concepts such as rhythm, harmony, melody, lyrics, and music notation. He then dives into the business side of music—topics like publishing, record labels, placement, copyright, music law, and contracts. Last but not least, Cliff reviews the various jobs available in songwriting, which range from staff songwriter for a record label to music supervisor for TV or film.

Logic Pro X: Get Professional Mixes on Your Instrumentals

ilfsn | 29.08.2017 | 3.69 GB

3 Hours + Project Source File

If you want to get pro mixes on your beats and you use Logic Pro X, then please continue reading. One of the leading causes of missed opportunities in music production is having a bad mix, wether you’re competing at a beat battle, submitting music for a placement opportunity, or selling your music in person or online to an independent recording artist. And if you’ve been struggling to achieve success in these areas it might be that you need to improve your mixing skills. I was once in your shoes, a music producer with great talent in the area of creating beats, but lacking in the area of mixing my beats. I would send my beats to an artist or manager and would get the same response, “you need to work on your mix!”. So thats what I did. But like you, it became very frustrating searching online for the answers, simply because all of the information was either incomplete or scattered. So after many years and even getting a degree in Recording Arts, I finally found a way to make sure that my mixes are on point, and after you take this course you will too.

How To Mix Your Low End TUTORiAL

P2P | Oct 30 2014 | 451.5 MB

A tutorial series on how to mix low end frequencies. The example is drum and bass but it can be applied to many electronic genres of music.