How to create Drum Loops & your own Sample Packs from other Apple Loops and samples inside of Logic Pro X. You can still use these techniques in other DAW’s as well.
In this Max class, I will be teaching you Sound Synthesis inside Max for Live in Ableton Live 10. This class can also be used for anyone that has Max as a stand alone device. Some of the topics covered are quite advantaged, so maybe don’t take this class if you are brand new to Max. Project Description: – Make your own Max patch and then write a short description of how you made it. You can also include a screenshot if it’s needed and then post this as a class project.
With its single-screen interface, intuitive editing tools and advanced virtual instruments Studio One is a formidable DAW. In version 4 PreSonus have added and improved features that help you tackle the challenges of modern production head on. In this 230 minute course, Studio One power user Quanta walks you through all the essentials of getting started with Studio One 4. Providing hands on demonstration so that you can get started with the software today.
Signal flow is essential knowledge to understand ANYTHING about AUDIO. This Audio Concepts course, designed for musicians, engineers and producers, teaches you everything about the “ins and outs” of audio and MIDI signal flow. Watch it now! Whether you’re working with a console desk in a large studio or with a virtual mixer in your DAW, it’s very important to have a solid understanding of audio routing and signal flow. This course, by audio engineer Joe Albano covers everything from hardware studio hookup to audio and MIDI signal flow in a DAW. First, Joe covers the basics of studio connections. You learn about the 3 different input connections (mic, line and instrument), how to interpret signal flow diagrams, and how to understand patchbays and audio interfaces. Next, you dive into the concept of “in-the-box” signal flow, where you learn about the importance of audio processing order, how sends and returns work, and the different uses of pre- and post-fader sends. You also learn about MIDI signal flow, you discover how to integrate hardware processors and external MIDI devices into your digital workflow, and more…
The Sound Effects Bible is the complete guide to recording, editing, and designing your own sound effects. If it snaps, crackles, pops, crashes, booms or bangs, it can be found somewhere in this first-ever book on the black art of Foley and sound effects. This definitive book covers microphone selection, field recorders, the ABCs of digital audio, understanding digital audio workstations, building your own Foley stage, designing your own editing studio, sound design, and much more. This book will teach you everything you need to know to get started creating and recording your own sound effects. Period. There is very little fluff and only brief periods of wild and aimless exposition. Other than that, it’s straight to the point and chocked full of pics, diagrams, and real world experience. With over 650 sound effects products under his belt, Ric Viers has been there, done that, broke it, fixed and then sold it on Ebay. This book tells you exactly how he did it and more importantly, how you can do it too.
This course will change the way that you are playing songs. It’s going to become a much more creative experience, open to your own interpretations and choices. People will be touched and impressed with what you’ll do on the guitar – and they’ll want to hear more.
How To Make Pop with an awesome track ‘Get Gone’ featuring Stella Jones on vocals. Starting with a blank template in Cubase, Austin builds this song from the ground up with a simple but catchy chord progression followed by synth pad and lead sound design using multiple layers and percussive elements to get the initial feel and groove. Always keeping the vocalist in mind, Austin continues to build the track with wide variety and interest using further sound design, automation of filters and effects so there is plenty for the vocalist to work from. Once the instrumental is completed we get a fascinating insight into the production process as Austin chats with Stella Jones discussing how they collaborate, even though they are in different locations highlighting the pros and cons and giving a ton of tips and tricks on how to make this sort of artist relationship work. Finally, we bring in the vocals and process the stems adding some dope techniques to help them shine before mixing and mastering to complete the song.
