Screamer WiN MAC

MORiA/BUBBiX | 17 August 2025 | WiN:6.2MB | MAC:16.1MB

…: AU | VST2 | VST3 | AAX* :…

Screamer Extreme vocal FX.

Screamer is the ultimate plugin for turning your raw screams into the massive, larger-than-life vocal sound that defines modern metal. The plugin will instantly take your lows, mids, highs, gutturals and pig-squeals to the next level. And… Screamer is zero-latency, so you can record straight into the plugin during your studio sessions, and even live! Screamer instantly gives your raw screams a polished and massive sound, with no latency. While tracking, this allows you to quickly audition your vocal takes as if they were fully mixed, or record straight into the plugin. No more guesswork tracking vocals!

KORG ARP 2600 U2B macOS

MORiA | 16 August 2025 | 260.1MB

…: STANDALONE | AUi | VST3i :…

The one and only ARP 2600. The iconic ARP 2600. It’s the one synth you can expect to see in every major studio. They demand astronomical prices on the second hand market. When KORG released the limited- edition ARP 2600 FS in 2020, they sold out immediately world-wide. Now, KORG is pleased to present the first truly accurate software re-creation of this essential synthesizer: the KORG Collection ARP 2600. KORG’s proprietary CMT technology faithfully reproduces the distinctive waveforms and filters, the custom LFO and envelope shapes, the many subtle nonlinearities, even the behavior of the patch panel – unlike any other 2600 software instrument. Thanks to this obsessive attention to detail, you can open the original ARP 2600 Patch Book (available as a free PDF on KORG’s website), hook up each of the 100 patches on screen, and they will sound just like an authentic ARP 2600 – something that no other 2600 plug-in can do.

KORG EP-1 v1.1.4 U2B macOS

MORiA | 16 August 2025 | 213.2 MB

…: STANDALONE | AUi | VST3i :…

EP-1 Electric piano sound engine from the KORG KRONOS/NAUTILUS. The finest vintage EP sounds now available in the KORG Collection The electric piano sound engine EP-1 first appeared in 2011 in KORG’s flagship workstation synthesizer, KRONOS. It adopted the newly developed MDS (Multi-Dimensional Synthesis) technology which expresses smooth and dynamic tonal changes finely corresponding to key touch, something previous sample playback methods could not achieve. In 2017, it was featured in the top-tier Korg stage piano Grandstage, and in 2021, a new electric piano model was added to the NAUTILUS workstation. This plugin version now features the latest EP-1 sound engine and has received new voicing, making it the definitive Electric Piano sound engine. The overwhelmingly realistic sound and dynamic expression of EP-1 will stir the player’s soul and unleash deep emotional responses. Experience the latest EP-1 sound engine and expand your creative horizons.

VOX Super Continental U2B macOS

MORiA | 16 August 2025 | 169 MB

..: STANDALONE | AUi | VST3i :..

The legendary VOX Continental organ is faithfully recreated in software as the VOX Super Continental! Originally conceived in the early 1960s as a more portable and affordable alternative to tonewheel organs, the VOX Continental’s distinctive sound – and its sharp red-and-black design – soon made it a staple of “British Invasion” bands. The Continental’s bright timbre and brash attitude fit perfectly with jangly guitars, and easily cut through the mix on stage and in the studio. Production stopped around 1970, but a new generation of ska, garage, punk, and new wave bands adopted the instruments in the ‘70s and ‘80s. Weathered and worn through decades of use, and none-too-stable to begin with, the instruments tend to be charmingly out of tune. As the key contacts aged, each note started to sound slightly different. With this unique voice, a combination of electric tone and vintage character, the Vox Continental is a fixture of stage and studio – particularly in indie music.

PatchWork v2.73 WiN MAC

Team R2R | 16 August 2025 | WiN: 70MB | MAC: 539.8MB

WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

“The virtual patchbay for audio plug-ins”

PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.

1178 v1.5.4 MAC

GUiSEPPE | 01 June 2025 | 51 MB

Pulsar 1178 is an audio plug-in (VST3/AU) that meticulously recreates the original 1178 hardware compressor in its tonal color and compression character, while adding several additional features, turning it into a very versatile compressor for tracking and mixing. A compressor that eats transients for breakfast, the 1178 is a rare and expensive legend of the recording studio, cleaner and more versatile than its older brother, the 1176. 1178 further than the original unit, adding all the features you would expect from a modern, versatile plug-in, including a full sidechain EQ for added control, an optional saturation stage for warmth and character, and precise metering.

Pulsar 8200 v1.2.4 MAC

GUiSEPPE | 01 June 2025 | 112.46 MB

The paragon of EQs, reinvented. The best companion for your passive EQ. Pulsar 8200 is a faithful emulation of the legendary GML 8200 designed by George Massenburg*, the inventor of the parametric EQ. Full EQ control is a formality today, but it was a dazzling novelty back in the days. Just like the original machine, Pulsar 8200 gives you a tight and solid low end, a crystalline high end, and surgical control over the frequency spectrum. He perfectly replicates the all-discrete, Class-A analog electronics that made the original machine famous in the 80s, and still used today. Its parallel topology, coupled with unique filtering shapes, allows an intuitive and unique spectrum shaping, resulting in smooth curves, and a more natural result compared to classic digital EQ, maintaining its own “analog personality”.