CRTIV TapeBus v1.4 WiN MAC

Team R2R | 9 August 2020 | WiN: 7.3 MB | OSX: 17.4 MB

(AU, VST, VST3, AAX*, x86, x64)

CRTIV Tape Bus plug-in for professional music production applications recreates characteristic elements of the reel-to-reel tape sound. This includes saturation, modulation noise and smearing effects which are known for the “analog” feel they bring to audio recordings. This plug-in also applies a selected impulse response taken by us from the existing tape machines.

DUNE v3.4.0.4 WiN

Team R2R | 2021.02.09 | 258 MB

PLATFORM: WiN32/64 – VSTi/AAX

DUNE 3 builds on the award-winning DUNE 2 synthesizer, adding frequently requested features and innovative ideas, to create the best DUNE experience ever! DUNE 3 comes with many new patches crafted by expert sound designers. Since DUNE 3 is fully patch-compatible with DUNE 2, it includes its presets as well, doubling the factory library size to more than 1000 patches. The revised filter section in Dune 3 now sports a dual multimode filter plus an insert effect. Different routing modes like serial/parallel and seamless blend via the Balance knob allow for unlimited creative input! New filter types have been added as well, and include zero-delay feedback filters derived from our latest analog modeling technology. For creative applications, new insert effects like the formant/vowel filter or phaser greatly increase the range of sound design possibilities.

5×3 FX 2020.2 WiN

Team V.R | 13 February 2020 | 1.02 GB

(Win64; AAX, VST3, VST)

FiDef Plugin v1.0.20 WiN

Team R2R | 2021.02.10 | 13.6 MB

FiDef employs a highly specialized, patented process to create a custom noise profile that is tightly correlated to the source audio. The noise layer is sub-audible, but FiDef makes use of a phenomena that exploits the brain’s ability to make use of sub-audible noise to enhance the interpretation of sound. The noise layer also survives the encoding process to lossy formats, ensuring mixes uploaded to popular streaming services retain the sonic characteristics of the full resolution source.

Geist 2 v2.6.0.5 WiN MAC

Team R2R | August 11 2016 | 32.20 MB | Factory Content: 2.41 GB

Geist2 is a streamlined environment for beat creation and sound sculpting that provides instant inspiration and new ideas for your productions. It combines deep sample manipulation, arrangement and modulation capabilities for an intuitive and fast workflow. Geist2 is designed so that nothing gets in the way of your creativity.

Austrian Grand Piano v1.7

P2P | 16.02.2020 | WiN: 4.07 GB | MAC: 6.09 GB

..:: AAX, AU, VSTi, 32Bit, 64Bit ::..

Austrian Grand piano was sampled from a 100 year old Bruder Mikula Wien Austrian grand through a pair of AEA R84 ribbon microphones into an AEA TRP ribbon microphone preamp. Prior to recording, the piano’s hammer felts were sanded down to warm them up a bit. The piano was sampled in stereo under the lid, because that’s where the tone sounded best, at a sample rate of 44.1 kHz. It took many weeks to sample the piano entirely, as it was in such a state that most of the tuning pegs could no longer hold a pitch for any length of time. The piano was sampled labriously, with the softest to loudest dynamics being played, resulting in a library that can boast 10 velocity layers and 2 note round-robin.

Electric Bass v1.3 WiN MAC

Team DECiBEL | 19 Feb 2020 | WiN: 3.6 GB | MAC: 4.04 GB

…::: AAX, AU, VSTi, x86 ,x64 :::…

Electric Bass was sampled from a Yamaha BB424x electric bass guitar. The bass was modified so that individual pickups were wired to independent jacks, thus allowing for independent sampling of the bridge and neck pickups. Volume and tone pots were bypassed, so resistors were wired in their place to minimize the “ice pick” sound of an electric bass without pots. The pickups were then run into individual Radial 48 active direct boxes and Grace 101 preamps, which provided additional gain. Sampling began by recording with the target of 4 velocity layers with 5 note round-robin. The strings of the bass were kept relatively bright and fresh. Nearly the entire bass was sampled in this manner, but the results were unsatisfactory, so the bass was re-sampled from the beginning with 10 velocity layers, 4-note round robin, and mellow strings.