Loudness Meter helps you find the true perceived loudness of your audio and prepares it for TV or streaming services release. Join the thousands of recording studios that already use it.
The theremin is an electronic instrument patented in 1928 by Leon Theremin. The typical theremin users two oscillators – one producing a static frequency, one variable – and amplifies the difference of these two signals to produce sine waves at different frequencies, thus creating different pitches. A theremin uses a secondary circuit to control amplitude. You can control pitch/volume with your hands by adjusting the position of your hands in relation to the two antennas of the theremin, thus making it one of the only instruments in the world that you play but never touch! The tone of the theremin is well known, and can be heard in countless horror scores because of its somewhat unnatural and haunting tone. Theoretically, a theremin produces a fundamental pitch as a pure sine wave, and pure sine waves sound unnatural because most sounds in nature come with magesy overtones. The theremin is considered to be one of the worlds most challenging instruments to play. Not only is a theremin “fretless” like a violin, but even stringless, and the tone it produces is not stopped by inaction or through natural decay, but rather by manually decreasing the volume. In other words, to produces staccato notes, one must control not only the attack and hold, but also the decay. This is counterintuitive to how almost every other instrument works.
The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it. The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous.”
Introducing ROWDY – Your loud-mouthed, rebellious and high energy bassist with bite! ROWDY confidently delivers picked overdriven electric bass sounds suitable for a variety of styles, ranging from powerful punk to red-hot rock and modern metal. If your bass needs to cut through heavy drums and a wall of guitars, then ROWDY is the perfect solution.
Introducing Beatmaker DOPE – your fast-track ticket to the underground world of slick Hip hop beat production. There’s no longer any need to search through all that dusty vinyl at the local record store hoping to find the perfect sampled beat. Boom Bap, Hip Hop & Rap: DOPE is already locked and loaded with the most authentic sounding and satisfying electronic hits, beats and grooves for Boom bap, Hip-hop and Rap styles. Dirt Keeps the Funk Alive: With over 50 different styles containing a total of 1180 different phrases, creatives from all across the musical spectrum can enjoy the 10 meticulously recorded drum kits contained within. The simple controls and amazing genre appropriate sounds mean that both beginner and professional producers will be comfortable and at ease using Dope in a flash. Choose from over 50 different styles containing 1180 different rhythmical phrases for instant song intros, fills, verses, choruses, breakdowns and endings.
FRQ Shift is an ultra clean sounding, artefact free, dual frequency shifter engine. Capable of everything from subtle modulation and stereo enhancement to more extreme atonal effects perfect for building tension and creating atmospheric backdrops.
WVS V12 plugins let you resize your plugins so you can view them more easily. V12 also introduces a new preset search engine that lets you find & audition the perfect presets for your tracks, plus more new features. Update now to V12 With the new resizing option in WVS V12, you can choose from 5 retina-ready GUI sizes – up to 200% – so you can stop squinting, and keep your attention on what matters. You can also customize your own default size per plugin, to make sure that your favorite plugins always open in the size you want. V12 also introduces a lightning-fast preset search engine, so you can find the prefect preset for your tracks more easily than ever. No need to browse manually through preset menus and sub menus – you can now search presets by text, filter them by name, and quickly audition your results.
