Blue Face is an analog modeled simulation of a classic BC108 silicon vintage fuzz pedal made in the late ’60s. This is one of the best known fuzz pedals ever made, used to fully blast amplifiers tube stages. We modified the original circuit to get more bite even at minimum settings.
Big Goat is an analog modeled simulation of one of the greatest fuzzbox ever made in the mid ’70s and used in countless records. The signal passes through 4 cascaded amplifier stages, where 2 of them are clipping stages. The result is a sustained fuzz, very rich in harmonics, with a unique tone.
Building on a 17 year legacy, Ozone 9 brings balance to your music with the latest advances in machine learning for mastering audio.
![Nest v1.0.2 WiN-R2R [PROPER]](https://www.magesy.blog/biocontent/uploads/2021/10/Nest-v1.0.2-WiN-MAC.jpg)
Nest is a modular system which gravitates around the creation of MIDI. The basic ingredients are: 20 modules inspired by classic integrated circuits and today’s computer features, a clever voice to synth assignment, 12 patch scenes and a quad VST/Synth/MIDI Interface.
The Modeling Collection gives you the best value by bundling Chromaphone 3, Lounge Lizard EP-4, Multiphonics CV-1, Objeq Delay, String Studio VS-3, Strum GS-2, and Ultra Analog VA-3. A comprehensive software instrument solution More than 1800 presets: basses, guitars, synths, electric pianos, organs, clavinets, leads, pads, violins and cellos, ethnic instruments, ambiences, percussions, sound effects, and many other-worldy sounds.
Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs
