Smooth out harsh vocal sounds with the world’s easiest-to-use Vocal De-Esser plug-in powered by AI. Vocal De-Esser has been trained on the unique characteristics of the human voice to control sibilant sounds without compromising the performance or tone of your vocal tracks.
If you think FM Synthesis is complicated, it’s time to think again! BLEASS Omega places all of the sparkle, character, nuance and dynamic expressiveness of FM Synthesis at your fingertips, and does away with the arcane programming interfaces so often associated with FM. Harnessing BLEASS’ signature GUI technology, creating and crafting sounds in Omega is not just easier than with other FM synths, it’s easy – PERIOD! All of the classic capabilities of FM Synthesis are available in BLEASS Omega – expressive electric pianos, deep thundering basses, crystal-clear pads, sparkling bells, and soulful leads. And thanks to the instrument’s analogue-style Waveshaper and multi-mode Filter, BLEASS Omega can inject powerful analogue-like flavour into those pure FM tones, giving searing filter sweeps, growling distortions, and harmonically-rich resonances.
This app delivers high-gain classic British tones with a modern twist, handling low tunings effortlessly. Featuring two channels—clean and lead—Dead Kitty was developed in collaboration with Ksantyp from Poland’s premier guitar YouTube channel, FOG.
Mammoth is a powerful yet intuitive bass plugin featuring two-band signal processing that includes a bass maximizer, 3 types of drive, a tone stack, cabinet simulations and much more. We designed Mammoth with simplicity and flexibility in mind. It’s made for artists, producers and engineers alike. Featuring a modern, convenient UI, a custom IR Loader, and endless supply of distortion.
Mammoth is a powerful yet intuitive bass plugin featuring two-band signal processing that includes a bass maximizer, 3 types of drive, a tone stack, cabinet simulations and much more. We designed Mammoth with simplicity and flexibility in mind. It’s made for artists, producers and engineers alike. Featuring a modern, convenient UI, a custom IR Loader, and endless supply of distortion.
Redline Reverb II is a musical reverb that excels in both warmth and transparency at extremely low CPU usage. It is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional. Unlike conventional algorithmic reverbs, Redline Reverb does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything inbetween. Just check out the 112 factory presets for a comprehensive showcase of what it can do. Redline Reverb II has been fully modernized with a new look & feel, a resizable GUI and a new preset management system. A stereo width knob has been added to enable you to widen or narrow the reverb according to your wishes.
The bx_XL V3 empowers mastering engineers to achieve loud mixes without sacrificing clarity. Utilizing the mid/side technology groundbreaking bx_digital EQ, you can split the mid channel into two bands (low and high). This allows for control over three individual channels – mid-low, mid-high, and side – resulting in increased loudness and significantly enhanced clarity with fewer artifacts and greater punch.
