Splat is the ultimate placement tool. Harness the Haas Effect to deliver width, depth, and creative effects to mono instruments and live performances – quickly, easily, and with unprecedented control.
Finisher FLUXX, the third addition to its series of virtual multi-effects. You may call this plug-in the evil genius of creative FX. It’s designed to bring dead sounds back to life. The Finisher concept combines a handful of macro controls controlling 50 different hyper complex multi-effect chains (called Modes) under the hood. It features 4 individual macro controls per Mode, each controlling a separate sound aspect, making FLUXX an intuitive and fail-proof tool for sound designers and music producers to deconstruct, transform and animate their sounds.
What are the sounds that come to your mind when you think of the 1980s? Cheesy pop music? Big synths, punchy digital drums and lots of gated reverb? Exactly. Those style elements have been re-discovered by contemporary producers and in genres like Synthwave. VICE comes with everything you need to create drum tracks for anything from authentic ’80s to Synthwave. Comes with 10 drum kits, 12 smart-mix presets and easy access to all the effects you need to make punchy digital drums with legit ’80s vibes.
KANDY is a bleeding-edge virtual beatmaker, employing extremely processed samples and state-of-the-art sound design for the top of the billboard charts. Easily create beats for the entire bandwidth of modern A-list pop music!
If you love the sound of classic drum machines but are short on vintage gear, CIRCUITS brings the analog warmth and classic grooves you need to let the good vibes through.
Do you ever play classic records and think “That. Sounds. GREAT! How do I get that 60s (or 70/80/90s) vibe in my track?” With Finisher RETRO, it’s easy. Our experts have done the hard work and captured the classic reverbs, delays, flangers, tubes, tape hiss and magic for you. Just load RETRO and go!
If your transitions are lifeless (or nonexistent), turning to your ’Risers’ folder and smacking on some samples is a surefire way to sound generic… but with BOOST, you can turn any audio track or buss into a new transition that meshes perfectly with the mix.
