Model 72: Synthesizer System WiN

Team R2R | 03 Jan 2021 | 43.8MB

PLATFORM: WiN64 – SSX/VSTi/VST3/AAX(MODiFiED)

The monophonic legend, perfected.

Imagine traveling in time to the early ’70s, an era where new and experimental sounds were shaping pop music and taking it a step further. Softube’s Model 72 Synthesizer System is your vintage synth time machine. It’s component modeled down to the smallest details with from 1972 hardware in pristine condition with all the quirks and non-linearities intact, hence the name Model 72. The result is incredibly authentic sound, with all the warmth and smoothness heard in countless records. Now imagine this classic has traveled into the future to pick up some contemporary features like doubling and spread to create a stereo like sound image and evolve into a full system with multiple versions for different applications. Wish you were here? Take the Autobahn.

2021 PLUGiNS BUNDLE 2 R2R

TEAM R2R | 🌟HAPPY NEW YEAR!🎉 | 16.67 GB

.: AAX, STANDALONE, VST2, VSTi, VST3: x64 :.

100!! Super Great Plugins!

Audio BetaBugs Bundle WiN

TEAM V.R | 25.06.2020 | 885 MB

Visualize | Inspect | Master

(Win32/64; AAX*, VST3, VST, STANDALONE)

Spectrum is a VST, AU and AAX multi channel spectrum analyzer plugin that allows you to inspect the frequency content of your mixes. It’s ideal to find clashing frequencies and to cleanup your mix. It supports input from multiple channels: just drop an instance at each point in your signal chain you want to measure.

SynthMaster One v1.1.6 WiN Rev.2

TEAM V.R | 11 August 2018 | 90.74 MB

(Win32/64; AAX*, VSTi, STANDALONE)

SynthMaster One is an easy to use wavetable synthesizer with an intuitive workflow. Although it shares the same engine with its bigger brother SynthMaster, it comes with new features like wavetable synthesis. With its simple layout, rich wavetable/waveform content and inspiring factory presets library, designing new sounds with SynthMaster One is a real joy. Watch our videos, listen to the audio demos and you’ll see how easy it is to design sounds with this synth.

GlissEQ v3.13 WiN MAC

Team R2R | 31 Dec 2019 | WiN: 8.5MB | OSX: 20.8MB

Parametric Equalizer

…::: HAPPY NEW YEAR!!! :::…

GlissEQ is a parametric equalizer AAX, AU and VST plugin for professional music production applications. The most interesting and unique feature of GlissEQ is the dynamic behavior of its filters. To understand dynamic filtering, let’s begin by re-stating something probably obvious about a normal equalizer: you always get what you set. In other words, when you specify a 6 dB boost at 100 Hz you get exactly 6 dB of boost at 100 Hz. But GlissEQ is different. When you specify a 6 dB boost at 100 Hz, you don’t necessarily get a 6 dB increase in gain. Instead, the filter’s effective gain is adjusted dynamically according to the program material. That is what we mean by dynamic filtering and it is the key to GlissEQ.

2021 PLUGiNS BUNDLE R2R

TEAM R2R | 🌟HAPPY NEW YEAR!🎉 | 9.21 GB

.: AAX, VST2, VSTi, VST3: x64 :.

85 Super Great Plugins!

Bad Tape v1.0.1 WiN MAC

SYNTHiC4TE | Dec 04 2019 | 21 MB

MAC: VST, VST3, AU, AAX | WiN: VST, VST3, AAX

“A Tape Harming Effect Plugin”.

Its focus is on creating extreme tape artifacts. The inspiration for Bad Tape came from denise team member Enrico ‘nrec’ Tiberi: “I was using a lot of my old Akai 4000 DS MK2 reel to reel tape recorder pressing the tape to slow it down as an effect and that made me want a plugin that could control how to break the sound without having to use my fingers each time and without all the cables and fuss that analog hardware inevitably brings”. Combining a good old vintage tape sound with harming features makes Bad Tape a creative and versatile tool. Want an “out of tune and off the grid” beat or a wonky drum groove? Just keep the detune button pressed and it will create a tape-stop in real time. Press it shortly for slight slow-downs and speed-ups, or use wow and shake to make it go in and out of tune and go off grid periodically. Use the mix knob to create tracks that are heavily saturated and detuned, with additional interesting tape artifacts like hiss, squeal and harm. Bad Tape can be used to color and detune your whole track, or it can be applied to just one bar at the end of a section to help introduce some variation and lead in the next section of your song.