‘Applause’ is influenced by all your favourite twerk hits shakin’ up the club right now. With hard-hitting 808 drum patterns and body-moving sounds from hit singles by artists like Ty Dolla Sign, Usher, Nikki Minaj, Wiz Khalifa, and even Lil Jon. This pack will surely get the crowd turned up. Don’t miss out on your opportunity to get in the fast lane and score a placement with this hot pack!
‘Vintage Radio Vocals & Snippets Vol 1’ features vintage dialogue from old-fashioned radio broadcasts, cut up and ready to use in your productions. These loops will work with pretty much any genre. Spice up your tracks with a bit… This download includes vocal samples and radio FX and snippets from five classic old-time radio broadcasts, arranged into nicely named and organised folders for ease-of-access. There is also a folder including samples of hits, cuts and music loops and FX from other old radio shows. If you want to add an old-time style to your productions then this pack is perfect for you. Spice up your tracks with a bit of radio static or a record crackle! Great for making a dirty sounding breakdown. You’ll find five classic radio broadcasts, cut up into easy to use samples, seperated into folders such as Male Vocals, Female Vocals, Misc Vocals, Music Loops and FX.A separate folder for random little hits, music snippets, vocal snippets and glitches and sound FX is included.
Fountain Wires is a unique experimental stringed, tuned percussion and ambient/FX library born of pure chance. During a recent exploration to the California Southland, with it’s sun-baked chrome, glass, plastic and steel landscape and high-octane energy, we happened across a cool piece of ordinary architecture with some very cool sonic potential – a shady fountain sanctuary ringed by tightly strung steel cable fencing, hidden in the midst of Hollywood’s grit. We pulled out our trusty field recording gear and a heavy guitar pick and set to work, sampling a wide range of different wires, each with it’s own tone and character. The bass-heavy, full-sounding resonance of each cable mixed with the peaceful white noise drone of the fountains surrounding us to produce a rather beautiful and curious result. We then took the raw material back to our studio, pulled it apart and wound it all back together into a unique experimental instrument toolkit. Our goal with this library was to combine authentic field-recorded muso-environmental sounds and specialized sound design techniques to craft a playable and inspiring soundset that brings together the best of both the acoustic and synthetic audio worlds.
BIAS Desktop is the world’s most accurate, thorough and versatile guitar-amp modeler and designer. Its advanced amp-modeling engine captures the warmth and feel of real tube amps in every aspect, component by component. To start, the plug-in includes 36 authentic models of the most sought-after vintage and modern amps in rock ‘n’ roll history. Easily modify amp models by swapping out the tubes, preamp, transformer, tone stacks, cab and mic with simple mouse clicks to create your own custom amps and unique signature sound.
This course is all about how to use different types of chords in your music, and this is some essential knowledge that you need to know if you want to write chord progressions that make sense musically. Boost your skills with this awesome new video!
A very simple but effective workhorse guitar. “I’ve never managed to better the quality of this little ditty, with 3 dynamic layers, no round robins it has sat on countless scores of mine. I get live players like L.A. to replace it but directors love the quality of sound so much that I rarely get rid of it altogether! It’s a Fender Telecastor through a vintage 15w Fender Tweed amp played with just a hint of vibrato. It’s got what I would call that totally English sound to it. With judicious use of tremolo and distortion/ amp plugs I have managed to make this sound – to a fairly convincing level – like Radiohead, Coldplay, Tom Waits, Nick Cave and U2!”
Mini harp. Here’s what he had to say about the two VIs you get with this one package. “I love the sound of the harp, but like so many things it has a connotation, it puts you in a certain mood or place. I wanted to capture a more enigmatic account. So I bought a cheap small harp and played it badly myself concentrating only on the quietest level my fat fingers could play it. I love it on it’s own (with lots of reverb) and find it sits amazingly well with the proper Skaila Kanga harp that we built for a tracked sound…
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