Fast Track Build Brys Deep House 2014 TUTORiAL
TEAM MATRiX | 31.03.2014 | 1.79 GB
Deep House 2014 vision. Continuing on from our Sonic Rewind and expanding on our original ideas to make a full Deep House track.
Viewed 8061 By Music Producers & DJ´s.
Deep House 2014 vision. Continuing on from our Sonic Rewind and expanding on our original ideas to make a full Deep House track.
Guitar Player Vault is a popular magazine for guitarists. It contains articles, interviews, reviews and lessons of an eclectic collection of artists, genres and products.
Recording powerful and punchy drums is something I have been after since I started my audio engineering journey. I have read countless articles and books about drum recording, but most of them have failed to give me the results I am after. Most of the time, the biggest limiting factor of aggressive drum sound is the tempo. If you want the faster parts not to sound like a complete mess, you need to have total control over the sound.
This package includes 80 bass loops, 120 full loops, 60 hat loops, 60 music loops, 20 percussion loops, 120 top loops and 20 vox loops. All loops are recorded at 24bit and tempo labeled at 125bpm. Package Includes:WAV 24Bit 44.10040 Bass Loops60 Full Loops30 Hat Loops30 Music Loops10 Percussion Loops60 Top Loops10 Vox LoopsApple Loops 24Bit 44.10040 Bass Loops60 Full Loops30 Hat Loops30 Music Loops10 Percussion Loops60 Top Loops10 Vox Loops480 Loops Total
Championed by Ferry Corsten, most recently on his Once Upon A Night 4’ album, ‘Thrive’ begins to hardwire more driving, floor-facing tones into ‘Something For The Pain’s system. Co-produced alongside Miami studio-head Stan Kolev, the pair incorporate a grooving feel-good bassline nature, tying it idiosyncratically to cool trance-progressive tones. ‘Tears’ meanwhile is a rare instrumental from Brown. Basing itself around a chiming xylophonic leadline, it deals complex yet memorable note movements. Hung off resonating piano notes, reverberant stormy FX (recorded in Indonesia during his travels) and drum-free immersion, ‘Sorry’s half-whispered/half-sung lyrics, deliver ‘Something’s midpoint interlude. It’s an ephemeral rest-up though as ‘Pulse’ (produced alongside stateside Shawn Mitiska) plunges into big, sonic tubular mainlines, bringing greater force and stridence to the album.
Every issue of TONEAudio is packed with reviews of the world’s finest audio gear, the latest music and interviews with the people that make it happen.
Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz, 44.1 khz. 9 presets are available. Library size is 220 MB. 10 distortion kernels. Please note that these require a fully licensed Nebula Pro license to enjoy. The Focus octo pre comes from an eight channel preamp 1U rack that also has dynamics built in. It is clean in flavour with a hint of sparkle.