Wahnsyn Mini-Drums VSTi WiN

TEAM NoGRP | 07-04-2007 | 6.90 MB

.:Special Edition Drumsampler:.

Mini-Drums concerns it 10 Slot Wave Drumsample Player. Each individual Slot (instrument) has extensive editing possibilities, so you have basic sounds completely after your personal Taste to change know. Per Slot 5 instruments are embodied, in order firmly snap accessed differently Drumsets to ensure. In addition the Slots can also with strangers Wave Samples become, in order to arrange your individual Drumsets. These can do you then as FXP (Cubase Preset) store, in order to have handy they at any time. In order to point to you out all functions of this Plugin, we divide the instrument into its individual parts.

BassBomb v1.1 VSTi WiN

Team ASSiGN | 25 DECEMBER 2010 | 8.79 MB

bassbomb is a monophonic bass synthesizer focused on creating a wide range of bass sounds from punchy to chunky via squelchy and fat with a sprinkling of dirt on top. It does everything from dubstep wobble, electro house dirt, funky bounce, breakbeat dirt, hip hop boom, acid squelch and more besides. As well as bass lines it’s also happy banging out kick drums and bass drops, with a pure sine sub osc to really nail that low end. It features custom waveforms, a composite filter and non-linear envelopes to give that old school synth sound, with 2 LFOs and 3 envelopes to really make stuff move around. Unison, oscillator sync, ring modulation and dirt all add to the flavour and a tempo-sync arpeggiator is the “cherry on top”.

Octav8r v1.0 VST WiN

Team peace-out | 03.14.2009 | 8.14 MB

Octav8r is a 7-node pitch-shifter that generates 6 differently pitched stereo versions of the audio input added to a ‘dry’ non-shifted signal to generate a richly layered sound. Each node has its own volume envelope and variable state filter plus send controls to vibrato, chorus, delay and reverb effects. The envelopes can be triggered by MIDI, audio gate or looped in sync with the host tempo. The primary idea of Octav8r is to create multiple pitch-shifted layers of the incoming audio. With some twiddling you can get creative with panning to generate separation around the stereo field, use envelopes to bring each node in and out at different times and use chorus, delay and reverb to make each node sit differently in the mix. You can use the tempo-sync envelope trigger to create rhythmic gating or pulsing and the envelope toggles to make only some nodes modulated whilst others stay constant. Most controls have MIDI CC and MIDI learn support, so with some automation or MIDI knob twiddling, you can make the output really move around.

Retro Pack Bundle WiN

TEAM R2R | 25 October 2021 | 47.4MB

..:: VST, VSTi, x86, x64 ::..

Achieve authentic vintage vibes “in-the-box” with the Retro Pack. This bundle of precisely modelled instruments and effects will allow you to recreate that nostalgic mojo without the need for a time machine.

God Mode v2.0.1 WiN MAC

FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

..:: VST, VST3, AU, AAX, x86, x64 ::..

The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.

Perfect Plate XL v1.0.3 WiN MAC

FLARE | 08 September 2021 | WiN: 6.13 MB | MAC: 12.3 MB

Go supernatural with the Perfect Plate TXVerb™ powered technology

The goal of the denise Perfect Plate reverb is to easily manipulate your tracks in supernatural ways with supernatural sound quality. The Perfect Plate XL offers refined control over the key aspects that determine a plate’s sound, resulting in new possibilities to shape and combine plate reverb styles: make drums sound huge, like played in a oil tanker, give vocals a classic dreamy vintage reverb or make them sound like a resonating synth drone that rotates in the stereo field. We do this by utilizing our TXVerb™ technology known from the Perfect Room, praised by many engineers as the best natural reverb out there. To go even further beyond the realms of traditional reverb, we added tailor-made effects to work seamlessly with our core TXVerb™ technology. We challenge you to go supernatural with the resonator, drive, rotator & detune – and don’t forget about the internal ducker!

FinalMix v.1.01 VST x86 WiN

TEAM TALiO | 08-13-2004 | 2.7 MB

With an extensive palette of sonic tools, including 3-band dynamics processing, 6-band (pre and post) parametric EQs, adjustable cross over points and individual band key filtering, Final Mix lets you zero in on exact frequencies to adjust or emphasize crucial elements of your mix. Final Mix employs three individual dynamics processors (low, mid and high) with noise gating and soft clip limiting to provide ultra smooth compression or expansion. Each dynamics band features individual threshold, attack and release times. A graphical contour edit screen for each band allows you to easily set a desired ratio and to create your own hard knee or soft knee, or even draw in an expander curve. Each dynamics band features its own key filter that allows you to emphasize or de-emphasize a portion of the signal within the band. The Soft Clip feature adds a smooth, analog-style clip response when your signal gets close to overload. Other features such as Noise Gate, Band Linking and more ensure that Final Mix will be an integral part of your mixes from here out.