Type-A v1.0 WiN MAC

Team R2R | Dec 24 2017 | WiN: 10 MB | OSX: 68 MB

AU VST VST3 AAX x86 x64

Type A is a plugin inspired by a famous vintage tape encoder. The original unit was designed to be a noise reduction system for tape recording (encode stage) and playback (decode stage).
Type A emulates the encode stage, which was often misused as an enhancer, dynamically increasing the top end of a signal without introducing artefacts or altering the harmonic content. The results are similar to a dynamic EQ which adds presence and air to any track in a natural way.

EAReverb 2 v2.1.0 WiN

TEAM V.R | Dec 25 2017 | 12.9 MB

AAX* VST2 VST3 x86 x64

EAReverb 2 is a 100% algorithmic reverb plug-in (32/64-bit VST2, VST3, AU, AAX). It features the “Natural” core engine of the original EAReverb but also brings a plethora of new algorithms and functionalities accessible from a totally revised user interface. Compared to the former EAReverb which focuses on simulating natural environments, EAReverb 2 can then be considered as a more holistic answer to your reverb needs.

TransReckon v1.1.0 WiN

TEAM V.R | Dec 24 2017 | 5.33 MB

AAX VST2 VST3 x86 x64

TransReckon is a transient processor that will help you to add punch to your drum lines or put some instruments forward (or backward) in an extremely efficient way and with unexpected ease. TransReckon provides ‘Length’ and ‘Sensivity’ controls, a ‘Listen’ mode, a ‘Flat Sustain’ option and an integrated brickwall limiter. These options help to go further with the transient shaping process. They can be used to reduce artefacts when processing specific instruments (guitars, …) but they also offer new creative possibilities (gate and “pre-delay” effects on a natural reverb).

EARebound v1.1.0 WiN

TEAM V.R | Dec 24 2017 | 5.73 MB

VST2 VST3 x86 x64

EARebound is a full-featured multi-delay plug-in which has been designed to meet a specific need : to quickly create rhythm lines from percussive sounds recorded in various environments (natural, urban, industrial, …). Recording these sounds, processing them through (carefully selected) effects in order to obtain multiple versions of them, loading and mapping them in a sampler, placing them in space, … takes a considerable amount of time and can be an obstacle to spontaneous creativity. In addition, even if we are satisfied with the results after hours of hard work, this rhythmic grail cannot be easily modified, as we would like, during live situations.

Mr. Sax-T v1.0 WiN MAC

TEAM DYNAMiCS | 23.01.2009 | WiN: 151 MB | MAC: 219 MB

VSTi/AU/UB/DXi/RTAS/x86/x64

Mr. Sax T. employs an entirely new technology, developed by Stefano Lucato when it became clear that all the previously applied approaches simply could not do. The technical name is Synchronous Wave Triggering. It uses samples as a base material, chromatically performed by a professional sax player over a very wide dynamic range, and recorded with state-of-the-art technology. The resulting timbre is therefore that of the real instrument. But the analogy with a sample based library ends here. The underlying, proprietary technology allows continuous interpolation among different vectors like time, dynamics, pitch and formants.

Efektor Modulation Bundle v1.0.1 WiN

Team V.R | Dec 23 2017 | 24.2 MB

Chorus, Flanger, Phaser, and Tremolo

(Win32/64; AAX*, VST3, VST)

Following the footsteps of our Efektor Distortion Bundle, the newest addition to the Efektor series we studied and examined more than 20 models of fabled modulation effects from the 1950s to the last decade. Modulation type effects are widely used by organ/synth players, guitarists, and studio engineers to add width, depth, and movement to the original sound. In this latest bundle, we collect the prominent ones and packed them into four devices.

The Saxophones v1.1.1 WiN MAC

TEAMR2R | 04.04.2013 | WiN: 490 MB | OSX: 504 MB

Realistic, expressive, real time playable Virtual Saxophones?

AU VSTi x86 x64

The Saxophones use samples as a base material, chromatically performed by a professional player over a very wide dynamic range, and recorded with state-of-the-art technology. The resulting timbre is therefore that of the real instrument. But the analogy with a sample based library ends here. The underlying, proprietary technology allows continuous interpolation among different vectors like time, dynamics, pitch and formants. Advanced real time processing techniques yield realistic legato/portamento, vibrato, overblow, ornamentations & trills with phase continuity, constant-formant pitchbends, subharmonics, growl and flutter tongue to be performed in real time.