.:AX73 v1.4.2 WiN:.

Team TCD | 01 September 2024 | 13.1MB

In 1986, the synth skies were studded with digital technology. That’s why the original AX73, with its proudly all-analog signal path ended up flying under the radar. Martinic has taken what was great about the original AX73 and elevated it into a powerful, flexible software instrument that fits right into the modern producer’s lineup of go-to synths. With four analog oscillators across two synth layers, unique modulation features, extended performance options, and an eight-module effects section, this plugin AX73 (VST/AU) unleashes the full power of the original hardware and more – no menu diving required, and all perfectly modeled through our Advanced Circuitry Emulation technology. And, it includes a generous lineup of 600+ inspiring presets to get you started right away.

ME80 v2.8.0 VSTi WiN MAC

P2P | 22 September 2024 | 70.02 MB

The ME80 is mostly about aftertouch expression. (and breath-control CC2 is routed to aftertouch). It is a synth for persons that like to play for hours. The instrument was developed by Gunnar Ekornås, Max Fazio and Georges Poropat over a period of 2 years. Max Fazio has done much research in available data and expired patents. I have discussed every detail of the synth with Max, and he has been the driving force in this project. In many parts of the synth I have just followed his instructions. Georges Poropat is a CS80 owner. He has supplied all the soundfiles I have been asking for and like Max given response about all parts of the synth. Max and Georges did all this work for free because it was their dream to see it realized: To preserve it in digital form, and to make the special playing experience available to more people. Version 2.0 is completely rebuilt and coded by Chris Kerry and use the CK_engine. RG sounds made by Robin Grinnall. PR sounds made by Paul Roach. The 11+11 synthline presets are made by Max Fazio

MemoryMoon v1.8.10 VSTi x86 WiN

Team AudioP2P | 27 February 2020 | 5.7 MB

Provided by Team R2R.

I needed a fat synthesizer that could compete with loud guitar amplifiers and sound better than distorted guitar sounds. So I built the memorymoon. Memorymoon has 6 voicecards with 3 oscillators. You can set drift values for osc1 tuning, osc2 tuning, pulse-width, filter cutoff and VCA level to emulate the variations between voice cards in analog synthsizers. Osc1 has a drift button to do LFO drift. Unison will make a single note play from 1-6 voicecards at the same time. The sound is very overdriven. Mixer levels over 50 will create distortion in all oscillators. Filter2 has multiple stages of distortion and filter2 level knob will set the overdrive gain. Filter2 has built in +/- 5% variations to emulate analog components. The distortion effect at output can be inserted at output stage, or before the filter. It is a live-instrument. Arpeggiator, osc3, LFO and delay can be synced to host clock, or you can set tempo to manual and tap the synced tempo with a button (CC97), tap with the sustain pedal, or use the tempo knob.

MB-7 Mixer 3 v3.60 WiN MAC

Team R2R | 12 September 2024 | WiN: 66.7MB | MAC: 618.9MB

WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks. Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the “stereoness” and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility. The plug-in can also operate as a multiband VST and Audio Unit host: you can process each band independently with your favorite VST or Audio Unit plug-ins! Up to four plug-ins can be loaded on each band, pre or post fader. Latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also proposes unique linking and grouping options thanks to our multi-instances technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several

DEEP v2.5.0 WiN

Team R2R | 11 September 2024 | 3.22 GB

PLATFORM : WiN64 – VSTi/VST3/AAX(MODiFiED)

Soulful Drums With a Big Heart. Contemporary drummer with a 60s & 70s vibe

Groove Drums v1.5.0 WiN MAC

Team R2R | 04.09.2012 | WiN: 36.81 MB | MAC: 40.63 MB

..:: VST2i, STANDALONE, x86, x64, AU:..

VSTi plugin compatible MAC and WINDOWS, its architecture combines a sampler and an innovative and powerful tool allows you to create easily and intuitively grooves and drums loops.

EQ4 v1.16.1 WiN

Team R2R | 09 September 2024 | 23 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

You’ve heard the EQ4 on the vocals of artists ranging from Madonna to Celine Dion, and from the Black Eyed Peas to Snoop Dogg. Now you can have this legendary EQ right inside your DAW. The EQ4’s unique design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the “Airy” frequencies. The AIR BAND® interacts with the 5 band pass EQs to tonally sculpt your tracks from top to bottom with unrivaled transparency and top end presence. The EQ4 is a musical EQ, not a surgical EQ, making it ideal for sweetening tracks. Add it to your vocal tracks to hear why top audio engineers who have access to every EQ ever made demand the EQ4 for vocals.