Silkworm is an easy to use “SuperSaw” style virtual analogue synth with built in gate sequencer and delay unit, plus powerful filter, modulation and dynamic controls.
FF Twin 2 is equipped with the best possible oscillators, award-winning filters and an innovative interface that makes sound design a breeze! Rather use presets? Twin 2 comes with more than 1600 quality sounds that you can use right away.
FFT Timeless 2 is not only a perfectly modelled classic tape delay. Its unique high-quality filters and many creative options turn it into the ultimate sound-mangling machine! Create echo, chorus, flanger, phaser, scratch effects and much more.
ELKA Panther was one of the most famous organs in 60s’ and 70s’ popular music. This is what ELKA said about the Panther Combo Organ in their 1960s’ brochure: “The PANTHER Combo Organ invites you to a new world of musical excitement. Compressed into her sleek, slender frame is a fantastic variety of thrilling organ sounds. The PANTHER is poised, waiting for your musical commands. Ask her for a biting, swinging attack and she’ll leap with ecstasy! Try her on solo and her tingling trebles will penetrate across the biggest room. Taunt this wildcat and her roaring bass tones will overwhelm the noisiest crowd. The PANTHER’s full-throated voice box houses all of the natural sounds of the orchestra, and she’ll mix them in an infinite variety of combinations to fit any mood. She’s a big theater organ, or a power-packed combo organ, or a pulsating solo organ, ready to respond instantaneously. Set her up in a couple of minutes and she’s ready for action! Rock ‘n roll, swing, jazz, or a ballad you name it and this transistorized cat will play it like no other organ in the world.”
In 1986, the synth skies were studded with digital technology. That’s why the original AX73, with its proudly all-analog signal path ended up flying under the radar. Martinic has taken what was great about the original AX73 and elevated it into a powerful, flexible software instrument that fits right into the modern producer’s lineup of go-to synths. With four analog oscillators across two synth layers, unique modulation features, extended performance options, and an eight-module effects section, this plugin AX73 (VST/AU) unleashes the full power of the original hardware and more – no menu diving required, and all perfectly modeled through our Advanced Circuitry Emulation technology. And, it includes a generous lineup of 600+ inspiring presets to get you started right away.
The ME80 is mostly about aftertouch expression. (and breath-control CC2 is routed to aftertouch). It is a synth for persons that like to play for hours. The instrument was developed by Gunnar Ekornås, Max Fazio and Georges Poropat over a period of 2 years. Max Fazio has done much research in available data and expired patents. I have discussed every detail of the synth with Max, and he has been the driving force in this project. In many parts of the synth I have just followed his instructions. Georges Poropat is a CS80 owner. He has supplied all the soundfiles I have been asking for and like Max given response about all parts of the synth. Max and Georges did all this work for free because it was their dream to see it realized: To preserve it in digital form, and to make the special playing experience available to more people. Version 2.0 is completely rebuilt and coded by Chris Kerry and use the CK_engine. RG sounds made by Robin Grinnall. PR sounds made by Paul Roach. The 11+11 synthline presets are made by Max Fazio
I needed a fat synthesizer that could compete with loud guitar amplifiers and sound better than distorted guitar sounds. So I built the memorymoon. Memorymoon has 6 voicecards with 3 oscillators. You can set drift values for osc1 tuning, osc2 tuning, pulse-width, filter cutoff and VCA level to emulate the variations between voice cards in analog synthsizers. Osc1 has a drift button to do LFO drift. Unison will make a single note play from 1-6 voicecards at the same time. The sound is very overdriven. Mixer levels over 50 will create distortion in all oscillators. Filter2 has multiple stages of distortion and filter2 level knob will set the overdrive gain. Filter2 has built in +/- 5% variations to emulate analog components. The distortion effect at output can be inserted at output stage, or before the filter. It is a live-instrument. Arpeggiator, osc3, LFO and delay can be synced to host clock, or you can set tempo to manual and tap the synced tempo with a button (CC97), tap with the sustain pedal, or use the tempo knob.
