DUNE v3.2.0 WiN

Team V.R | 25 October 2019 | 569 MB

(Win32/64; AAX*, VSTi)

Rev.4 – more presets & wavetables

DUNE 3 builds on the award-winning DUNE 2 synthesizer, adding frequently requested features and innovative ideas, to create the best DUNE experience ever! DUNE 3 comes with many new patches crafted by expert sound designers. Since DUNE 3 is fully patch-compatible with DUNE 2, it includes its presets as well, doubling the factory library size to more than 1000 patches.  The revised filter section in Dune 3 now sports a dual multimode filter plus an insert effect. Different routing modes like serial/parallel and seamless blend via the Balance knob allow for unlimited creative input! New filter types have been added as well, and include zero-delay feedback filters derived from our latest analog modeling technology. For creative applications, new insert effects like the formant/vowel filter or phaser greatly increase the range of sound design possibilities.

Caliburn v1.0.6 WiN MAC

Team R2R | 22.10.2019 | WiN: 58 MB | MAC: 55 MB

 PLATFORMS: WiN32/64 – EXE/VST/VST3/AAX* | MacOSX – APP/AU/VST/VST3

Our brand new amp simulator called Caliburn which we are confident to say that this is our best amp yet. This time, it’s inspired by Britain’s Marshall* Amps crafted using our most current 3rd generation modeling technology, resulting a satisfying responsive feel, more dynamic guitar playing experience you’ll love. Supports various audio plugins: VST/VST3/AU/AAX which compatible with any kind of Digital Audio Workstation softwares. Standalone version are also available. In the history of music, British made amplifiers has undeniable influences to the evolution of rock music. The loud, chimey clean, and thick crunchy mids of those amps were popularized by big acts such as Jimi Hendrix, Led Zeppelin, and The Who. It is the sound of rock music that lasts through generations until today. If there was only one name that represents the sound of rock music, it’s absolutely this one: Marshall* Amplifiers. Founded by Jim Marshall in 1962, Marshall* amplifiers have taken the lead to be the top choice of many guitarists, such as Jeff Beck, Tom Morello, Andy Summers, Slash, Angus Young, Yngwie Malmsteen, to Kerry King of Slayer*.

Matchlock v1.0.1 WiN MAC

TEAM R2R | 2019.10.22 | WiN: 416 MB | MAC: 467 MB

PLATFORMS: WiN32/64 – EXE/VST/VST3/AAX(MODiFiED) | MacOSX – APP/AU/VST/VST3

AMP SIMULATOR, AMERICAN STYLE!

3rd gen Tube Simulation technology following the much hyped Caliburn. Matchlock is inspired by Fender* combo amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists.

Flawed Filters v1.0.0 WiN

Team R2R | Oct 22 2019 | 3.0 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

Split your left and right or mid and side channels for extra control Flawed Filters is very simple yet powerful. EQ with attitude.

UnHarsh v1.0.0 WiN

Team R2R | Oct 22 2019 | 3.1 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

Decreases the harshness in your audio​. UnHarsh is very simple yet powerful. Just remove harshness and add brightness to make your tracks UnHarsh.

Limited-MAX v1.1.0 WiN

Team R2R | 22 Oct 2019 | 3.7 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

…::: Full-featured mastering limiter :::…

Limited-MAX is a specialized limiter, based on the foundation of being a capable look-ahead brickwall limiter suitable for final mixing or mastering. Limited-MAX dynamically combines several unique limiting algorithms to provide transparent limiting on all audio sources. Limited-MAX is capable of substantial levels of compression/limiting without inadvertently creating excessive amounts of audible distortion. Limited-MAX is highly configurable and suitable for a wide range of musical sources. Limited-MAX exposes all aspects of the multi-process limiting algorithm. This lets the user continually adjust and find the best sound from a vast number of options, instead of choosing from only a handful of algorithms. Other features include standard attack and release controls, adjustable look-ahead, adjustable stereo linking, and a variable style control that changes the sound and shape of the limiter’s compression curve. Additionally, Limited-MAX includes a selectable DC filter and complete dithering controls, with selectable dither noise shape and psychoacoustic filtering.

Clipped-MAX v2.0.2 WiN MAC

Team R2R | Oct 22 2019 | WiN: 6.4 MB | OSX: 6.83 MB

PLATFORMS: WiN32/64 – VST/VST3/AAX(MODiFiED) | MacOSX – AU/VST/VST3

…::: Mixing and Mastering Clipping plugin ::::…

Clipped-MAX is multifaced clipping tool designed for a wide range of mixing and mastering applications – from subtle to extreme. Clipped-Max includes 4 distinct clipping modules that can be rearranged to produce a variety of effects. Built into Clipped-MAX is minimal and linear phase oversampling that extends to 128x. The modules for Clipped-MAX include SHIFTER, STEREO, M-BAND, and MASTER. The SHIFTER module is based on Clipped-MAX’s predecessor, ClipShifter. The clipping threshold can be dynamically altered based on the incoming signal. The STEREO module splits the incoming signal into mid and side channels, and each channel has separate clipping controls before being combined into left and right output signals. The M-BAND module splits the signal into 2 to 6 different EQ bands for separate clipping. Each band’s clipping amount and clipping algorithm is separate and configurable. The MASTER module includes eleven different clipping algorithms, including an intersample peak option for monitoring and stopping intersample peaks.