GlitchMachines FX-Plugins Pack AU VST

P2P | 03.05.2016 | 36 MB

x86 x64 WiN MAC

Convex is a multi-effects processor designed to facilitate the creation of contorted artifacts, syncopated patterns and skewed digital textures. Based around three classic effects; multimode filter, pitch shifter and delay, Convex generates dynamic variations of the input signal by morphing between two instances of each effect and modulating their key parameters using an extensive array of control modules.

Multipass v1.0.0 VST2 x86 x64 WiN

Team V.R | April 25 2016 | 36 MB

Let’s go splitsies!

When adding effects to a sound, it’s not uncommon to want to apply these effects to just a certain part of the sound. For example, you might not want a complex chorus to affect your bass too much, or a hard distortion to totally fry your high end. Either way, multiband processing adds a dimension to effect chains that really opens up a new world of options in sound design. Multipass helps you with this, allowing you to split the input sound into up to 5 easily tweakable frequency bands and applying unlimited number of effects to each band. Pitch shifted auto pan with a filtered chorus delay distortion? Coming right up!

Le Masque Delay v1.5.1 WiN

Team V.R | 12 April 2016 | 6.7 MB

AAX RTAS VSTi x86 x64

Le Masque :Delay lets you specify in a very accurate way which part or parts of the dry signal will be processed by the Delay unit and its components and modulators. The Masked zones of the grid are processed by the Delay Unit, while all the audio data outside of the Masks remain unchanged.

LX122 Premium v1.0.1 WiN

Team V.R | 12 April 2016 | 8.32 MB

AAX RTAS VSTi x86 x64

LX122 and LX122 Premium are rotary speaker emulation plug-ins, both featuring XILS-lab’s proprietary True Stereo Dynamic Engine (TSDE), offering a whole new way to record rotary speaker effects. Although there is a lot a various models, the classic Leslie speaker consists of two driver units – a stationary treble unit with spinning horns (called Horn here), and a stationary woofer and spinning rotor (called Drum here), with two filters, which divide the frequency spectrum between the horn and the woofer. Both the horns and a sound baffle for the bass are rotated to create Doppler effect based vibrato, tremolo and chorus effects. The rotating elements can be stopped, switched between slow (chorale) and fast (tremolo), or transitioned between the two settings. Not only the unit gives this particular effect, but also the ensemble it creates with the room where it is located.

Vplus v1.0.4 WiN

Team V.R | April 09 2016 | 19 MB

AAX RTAS VSTi VST3 x86 x64

Strings, Human Voices, 10 band Musical Vocoder

From a very long time, this wonderful and versatile machine was used by a lot of well know artists and musicians, from a long time now, it is waiting by a lot of computer users to be part of their sound arsenal. The XILS V+ combines a Vintage 10 band Vocoder, Supreme Top Octave Divider based Strings and Human Voices, or any sophisticated layering of these three elements. After more than one year of intense modeling deep in the basement of the Xils Laboratories, we offer you this complete recreation of a legend. Its unique vintage vibe and beauty that can only be brought back to life by precisely emulating different ancient and forgotten techniques.

XiLS Vocoder 5000 v1.0.4 WiN

Team V.R | April 09 2016 | 15 MB

x86 x64 AAX RTAS VST3 VST WiN

The Organic Vocoder, First and Last step for Vocoding

Inspired by the EMS Flagship Vocoder ( EMS 5000 -1976- Probably the most complex and powerful analog Vocoder ever built) , XILS-lab used his knowledge acquired during the emulation of both the VCS3 synthesizer and the VP300 VocoderPlus to develop the XILS Vocoder 5000 Model

EMpTy250 Reverb v2.0.9 VST x86 x64 WiN

Team R2R | March 30 2016 | 7 MB

EMpTy 250 reverb PC/MAC VST/AU version, the already famous recreation of the EMT-250 reverb. Introduced in 1976, and still regarded as one of the best-sounding reverb units ever made, the EMT 250 was the first digital reverberator to operate through a purely electronic system. Although only around 250 hardware units were ever built, the EMT 250 continues to leave an immeasurable mark on record-makingThe reverb is known for its very lush and rich sounds on for example vocals and percussive instruments. It supports: 44.1/48/88.2/96 kHz Mono, stereo and 5.1 Surround 32/64 bits PC / VST