Sculptube is a processor dedicated to adding valve-produced harmonics to sounds. It creates an authentic tube coloration which goes from slightly warmed-up tones to heavy distortions.
What happens when you combine a thick reverb, a filter, an envelope follower, an LFO, and a VCA? We wanted to know. The results are surprisingly useful. Mangleverb can be used as a filter, reverb, transient shaper, rhythmic gate, LPF gate, tempo-synced VCA, and any combination thereof. It is, for all intents and purposes, a Swiss Army Knife, for both wild sonic destruction and more utilitarian production work. Want to make a cool smooth-shaped verby kick? No problem. A 16th-note stutter gate? Gotcha. A plain ol-fashioned funky duck envelope follower? We can do that. A huge 80s “Pour Some Sugar on Me” gated snare ‘verb? Although we’re not sure why you’d want to do that, with Mangleverb it is alarmingly easy.
Simply the most versatile and powerful analog modelled polyphonic synthesiser ever produced. The PolyKB III captures the sound and spirit of the legendary RSF PolyKobol 2 polyphonic synthesizer, including its most revolutionnary feature : Morphing analog Oscillators. This set it apart from all the other common analog synth recreations, because you have instant access to hundreds of different analog modelled & free running oscillators waveforms. More than in other synthesizer, including those who propose switching between oscillators models. Icing on the cake, they can be dynamically modulated by many sources.
The PolyKB captures the sound and spirit of the legendary RSF PolyKobol Analog synthesizer, including one of its most stunning features : A continuous morphing Oscillator, which can be fully modulated by many sources.
Stochas is a revolutionary new type of step sequencer that has a unique randomisation engine. Designed to work either in mono or polyphonic modes the engine will select from a set of user inputted notes and take into consideration a bias weighting set for each, this means Stochas can be used to create evolving melodies, rich sounding string and synth sections, unique bass lines and even chaotic yet looping drum patterns, perfect for live and recorded performances. Chord input and predefined scales, make editing and inputting patterns quick and easy, without any knowledge needed of music theory.
The problem when mixing tracks from different sources is that they are often recorded at different levels and it is a tedious task to level out a mix properly so you can hear everything and know what you need to start with, as well as set up the gain structure of a mix to not be clipping everything and then struggle with no headroom for mastering. So Audio Vitamins have developed Structure, a plugin that takes out the tedious task of using meter and trim plugins or applying gain reduction directly on the files to get a solid foundation level for mixing.
The final plugin to hit your mix will almost always be a limiter, and using the right limiter for the job is crucial to getting the impact your music deserves. The Velo is a brickwall limiter for maximizing loudness, that features different options to influence coloration and transient preservation. As Velo’s adaptive release makes the plug-in react quickly to the incoming signal, it a well-suited limiter for mastering any style of rhythmical music with pronounced transients, and for bus-processing beats, drums and rhythmical bass, guitar and synth parts.
