CronoX mixes up your samples in realtime like no other instrument. If you start with a kick sample you may end up with getting a fascinating pad from it, and you should not be astonished to get some punchy drums just from your vocal samples. Its CronoX, samples are only food for its versatile and unique engines.
A long-awaited addition to the Modular platform, the 4ms Pingable Envelope Generator opens up a vast array of possibilities beyond the basic ADSR envelope generator included in the core Modular package. Two independent envelope generators can be ‘pinged’ by external sources – your DAW clock, for example – to define the cycle length of the envelope(s) and generate rhythmic effects and interactions never before possible in Modular. Add to this the extensive options for shaping those envelopes, and multiplying or dividing their cycle length, and you have a module which not only expands but explodes the rhythmic capabilities of your Modular system.
Imagine being in a luxury, professional studio full of vintage gear including legendary compressors and EQs, classic Marshall amps and cabinets, pedals, and mics and being offered anything you need to configure exactly how you want it to produce the very best guitar tones. Built on Softube’s legacy of modeling analog gear with unmatched accuracy, Amp Room is the modern platform designed with the discerning professionals in mind to be a continuously growing pro audio system of everything you need to create high-quality, authentic, and incredibly realistic guitar and bass sounds. As the producer with all that gear at hand, you’re the master of puppets, mixing and matching all the gear you need to create mix-ready tones just like you do in a physical studio. You can also process other sound sources, such as drums, vocals, and synth tracks. All the gear you chose from your visit to that luxury studio is configured to your exact specifications and ready to use.
Analog tape has a smoothing effect and adds weight and glue to a mix – it turns the recording from a collection of individual tracks into a song, where everything is connected and works together. Tape, with its component-level and physical modeling of three different tape machines, gives you all the warm vintage cohesion you could want in one plug-in. Add a few premium level features, like the mastering grade high shelf filter, stability control, and wet/dry mix knob, and you’ve got a new secret sauce. Mmm… tasty!
TSAR-1R Reverb is the little sibling of the more adjustable TSAR-1 Reverb. They share exactly the same high end reverb algorithm, but TSAR-1R offers extreme ease of use for a fast and intuitive workflow. Essentially, TSAR-1R is operated with a single control — the Time slider. Add depth and dimension to any sound with short and controlled room sounds, or slide it up towards hall settings for large, dramatic spaces. It really is as easy as that, and it always sounds stellar.
The FET Compressor is an impressively faithful modeling of a device loved for its aggressiveness and its tendency to add some tasty distortion to the sound source when driven hard. This compressor loves to be slammed and abused. But few things are so good they can’t be improved, so we added a couple of nice features that makes it even more flexible than the hardware original.
The EQF-100 Full Range Passive Tube Equalizer really sets the standard for all passive equalizer designs. It is a highly versatile and sweet sounding equalizer that will solve most of the tonality issues you may experience in a mix.
