VALVETONE 62 v1.xx WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 2.26 MB | MAC: 5.77 MB

AU, VST, RTAS, x86

ValveTone ’62 pays tribute to the EQs of yesterday; it’s all about “silky sex appeal” and “incredibly thick tone”. Deceptively simple BASS and TREBLE controls provide boost and cut algorithms that are both complex and pleasing. The DRIVE control provides you with four completely unique EQ curves:”Toasty 1″ and “Toasty 2”, which provides warm, velvet-smooth EQ, and “Smokin 1” and “Smokin 2”, which are more driven, colored and over-the-top. So, don’t expect some well-behaved Linear Phase EQ: ValveTone ’62 is all about character and TONE! Just turn the knobs and you’ll see what we mean.

ANGELTONE v1.xxWiN MAC

TEAMS AiR/ArCADE | 2007/2008 | WiN: 22 MB | MAC: 18.92 MB

AU, VST, RTAS, x86

AngelTone is a digital mastering EQ that utilizes “state-of-the-art modeling” to combine analog mastering EQ sweetness with digital precision and recall. AngelTone features five bands. Three bands are capable of full-range parametric operation. The two extreme bands feature both full-range peaking and shelving EQ modes. All parametric and peaking bands have access to the entire range of EQ frequencies available in AngelTone, allowing for powerful sculpting and precision.

CLASSICTONE-56 v1.x WiN MAC

AiR/ArCADE | 2007/2008 | MAC: 5.64 MB | WiN: 4.38 MB

AU, VST, RTAS, x86

ClassicTone-56 is a true-to-the-original recreation of one of the best sounding graphic EQs ever made. These graphic EQs are found in consoles and lunch boxes around the world and are prized for their punchiness and girth. ClassicTone-56 features 10 bands. From low to high the bands are: 31 Hz, 63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz. All bands are capable of 12 dB of boost or cut.

PULTONE-FL v1.x WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 5.3 MB | MAC: 5.15 MB

AU, VST, RTAS, x86

PulTone-FL is a recreation of a super-sweet passive program filter set. This studio classic is one of the best ways to tweak and shape tracks to create space in a mix or to create limited frequency range effects like the classic “telephone” vocal. These are the smoothest filters for carving your tracks into new and unique shapes. PulTone-FL features two filter bands, one low-cut and one hi-cut. The frequencies for the low-cut are 50 Hz, 80 Hz, 100 Hz, 150 Hz, 250 Hz, 500 Hz, 750 Hz, 1 kHz, 1.5 kHz and 2 kHz. The frequencies for the hi-cut are 1.5 kHz, 2 kHz, 3 kHz, 4 kHz, 5 kHz, 6 kHz, 8 kHz, 10 kHz, 12 kHz and 15 kHz.

Soultastik KZ v1.0 WiN MAC

SYNTHiC4TE | Nov 22 2019

Win64 VSTi: 3.9 GB | MAC: AU 4.2 GB / VSTi 4.2 GB

With the successful launch of Soultastik Drums, We now introduce Soultasktik KZ. Soultastik KZ is a Brand New “Trap Soul” Genre-based Plugin. Now make your Trap/RnB/Hip-Hop ideas into reality in no time. Soultastik KZ is highly influenced by Trap soul artists like Bryson tiller, PARTYNEXTDOOR, FUTURE, TY DOLLA $ign,2 CHAINZ, JEREMIH etc Soultastik KZ contains high-quality sounds. Over 99 Presets to choose From. Presets are divided into different to different categories such as Bass, Keys, Pads, plucks etc

ValhallaDSP Bundle 2020 WiN

TEAM V.R | 21.05.2020 | 13.6 MB

Win32/64; AAX*, RTAS, VST3, VST

Creative Tools For Audio Workers.

Ting v1.0.1 WiN MAC

Team R2R | 21 May 2020 | WiN: 18.2 MB | OSX: 51.8 MB

PLATFORM: WiN64: VSTi/VST3/AAX | MAC: AU/VSTi/VST3/AAX

Percussion Instrument

Ting is an instrument providing 12 different percussive sounds originating from everyday t(h)ings laying around at home – such as silverware, a sofa, toy drum or a pair of car keys. Each sound is carefully multi-sampled and processed with the common goal to be musically playable. Ting is intended to be a creative tool and a substitute for ordinary drum and percussion instruments. Altogether ~500 individual samples are used to make this instrument. In addition to the sounds, there is an EQ, a room simulator, a reverb and a compressor.