BIAS FX2 v2.1.9 WiN

Team R2R | May 23 2020 | 626 MB

Tone at an entire new level

Positive Grid is proud to announce the release of BIAS FX 2, the next generation of its acclaimed BIAS FX guitar amp and effects software. Completely re-engineered, with a higher-resolution DSP engine and hundreds of improvements, BIAS FX 2 delivers the ultimate in responsive, detailed and truly authentic guitar and bass tones. Highlights include newly developed, exclusive Guitar Match and emulation technologies that virtually turn one guitar into another with startling realism. An extensive collection of all-new and revamped amps, pedals and HD racks adds unparalleled depth and width to guitar sounds. And all-new Fuzz, Time and Harmonizer modelers provide unique guitar tones and effects, and a looper and recorder allow new performance capabilities. With a newly designed interface that makes it easier than ever to access the massive power of BIAS FX 2, the promise of ultimate tone and flexibility is truly delivered.

Dream Machine v1.0.0 WiN MAC

Team R2R | 23 May 2020 | WiN: 290.2 MB | OSX: 283.9 MB

WiN32/64 – EXE/VSTi/RTAS/AAX |♣ MAC: AU/VSTi/RTAS/AAX

DREAM BIG.

A hybrid instrument for modern pop, ambient soundscapes and soundtracks. EZkeys Dream Machine is a hybrid and preset-driven instrument designed for use in modern pop, ambient soundscapes and soundtracks. It’s centered around two main components from opposite ends of the audio spectrum: a Rhodes Mark 7 electric piano as well as an undisputed cornerstone in the melodic percussion family, the celeste. Both main instruments can be used individually, but together they form unique sonic texture unlike anything ever heard. In addition to these two instruments, a marimba and a xylophone are utilized in the background of several of the many included presets to paint even richer timbres of sound. All in all, EZkeys Dream Machine is a new creative vantage point in your arsenal of songwriting tools. It’s percussive, melodic and, quite frankly, sounds like a dream.

Cinematic Grand v1.0.0 WiN MAC

Team R2R | 23 May 2020 | WiN: 622 MB | OSX: 656.7 MB

WiN32/64 – EXE/VSTi/RTAS/AAX |♣ MAC: AU/VSTi/RTAS/AAX

PREPARE FOR THE UNEXPECTED.

Unique fabrics of sound, tailored for ambient soundscapes, soundtracks and creative sound design. In simple terms, EZkeys Cinematic Grand is a prepared piano – a traditional instrument that’s had its sound altered by objects placed on or between the strings. But in this case, that’s simplifying too much. EZkeys Cinematic Grand presents an all-new hybrid instrument where perfect fidelity meets altered harmonics and layered textures to form never-before-heard piano timbres. Based on a classic Bösendorfer from 1891, this one-of-a-kind instrument was recorded in four individual configurations – one where horsehair was used as a bow on each piano string (‘Bowed’); one where the strings were struck by hand (‘Plucked’); one where various preparations were added to generate a muffled tone color (‘Damped’) and, in opposite, one where the overtones were exaggerated, producing an ambient and soaring timbre (‘Harmonic’).

HYDRATONE v1.xx WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 12 MB | MAC: 10 MB

AU, VST, RTAS, x86

HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.

VALVETONE 62 v1.xx WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 2.26 MB | MAC: 5.77 MB

AU, VST, RTAS, x86

ValveTone ’62 pays tribute to the EQs of yesterday; it’s all about “silky sex appeal” and “incredibly thick tone”. Deceptively simple BASS and TREBLE controls provide boost and cut algorithms that are both complex and pleasing. The DRIVE control provides you with four completely unique EQ curves:”Toasty 1″ and “Toasty 2”, which provides warm, velvet-smooth EQ, and “Smokin 1” and “Smokin 2”, which are more driven, colored and over-the-top. So, don’t expect some well-behaved Linear Phase EQ: ValveTone ’62 is all about character and TONE! Just turn the knobs and you’ll see what we mean.

ANGELTONE v1.xxWiN MAC

TEAMS AiR/ArCADE | 2007/2008 | WiN: 22 MB | MAC: 18.92 MB

AU, VST, RTAS, x86

AngelTone is a digital mastering EQ that utilizes “state-of-the-art modeling” to combine analog mastering EQ sweetness with digital precision and recall. AngelTone features five bands. Three bands are capable of full-range parametric operation. The two extreme bands feature both full-range peaking and shelving EQ modes. All parametric and peaking bands have access to the entire range of EQ frequencies available in AngelTone, allowing for powerful sculpting and precision.

CLASSICTONE-56 v1.x WiN MAC

AiR/ArCADE | 2007/2008 | MAC: 5.64 MB | WiN: 4.38 MB

AU, VST, RTAS, x86

ClassicTone-56 is a true-to-the-original recreation of one of the best sounding graphic EQs ever made. These graphic EQs are found in consoles and lunch boxes around the world and are prized for their punchiness and girth. ClassicTone-56 features 10 bands. From low to high the bands are: 31 Hz, 63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz. All bands are capable of 12 dB of boost or cut.