A quintessential anthology of the most evocative synthesizers and keyboards ever made, meticulously modeled, lovingly recreated and expertly enhanced to inspire.
Perfect Notation!, With capella you can instantly create complete scores… No other notation program will take you by the hand and gently guide you towards your first own score in the manner in which capella does it. There is no need to be fully computer literate – you just follow your musical imagination and capella does the rest. Within no time you will have completed your first score sheet.
The VTE-2A Vintage EQ available now for Windows XP / 7 is based on innovative DSP technology originally developed by linuxDSP for the popular CH-EQ2B. Modelled on some of the classic analogue EQ designs, it features innovative DSP technology which provides a de-cramped mid range filter with a more analogue characteristic than conventional digital filters without requiring CPU intensive upsampling.
50 guitar tones covering the entire range from traditional jazz to modern fusion. John McLaughlin, Stanley Jordan, Allan Holdsworth, Frank Gambale, John Scofield, Pat Metheny. The list is long of jazz and fusion guitar players that not only have forever etched their unique sonic footprints in history but also spawned several generations of players venturing off into uncharted sonic landscapes, rejuvenating genres like metal and rock by fusing its signature elements in all-new contexts. In fact, one could argue that, perhaps with the exception of the blues, jazz is the one genre that has had the biggest impact on the evolution of guitar players on a whole. And much like experimentation is at the heart of both jazz and fusion, this collection is designed for just that. Welcome to a foundational tonal palette of 50 unique guitar settings, all inspired by the greats and designed for a broad and borderless use in any context that applies. Expect anything from subtile, round and warm tones for your clean rhythms to open, effect-saturated settings for ambient chord work as well as a broad collection of tones for any facet of lead guitar. And remember: ultimately, expression comes from heart, soul and fingers. If amplified by great tones, it can become legendary.
It’s a String Machine, It’s a Synthesizer, It’s a Bass Synth And it can be the three of them simultaneously, which is why the original unit was advertised as ‘The Analog Orchestra’ We also added: A Vintage Analog Human Choir Machine (as an alternative oscillator source for the Synthesiser part) and exposed numerous hidden parameters of the vintage String Machine model. The X-505 offers all the layering and tweaking possibilities of it’s glorious ancestor, including it’s precious balance between the Strings registers, and precise balance for all the inputs of the quadruple (yes 4) BBD Chorus unit. More : A lot of hidden parameters are now exposed and available to tweak in the different X-505 panels for a much wider sound palette. A juicy sounding analog Phaser and the vintage reverb add to the pile.
Since our launch there has been a huge response with critical acclaim coming from respected musicians and producers all over the world…
The XILS 3 V2.0 not only emulates the Synthi ( VCS 3 ) modular synthesizer, it also adds an emulation of the 256 Analog Sequencer, the natural companion of the VCS 3. Is that all ? No, of course, we added a SECOND Matrix, with 2 additional envelopes, one LFO, a detailed Sample and Hold module, and a Voltage processor … And some input modules : Gate, Transient, Envelope Follower and Pitch Tracker to transform the XILS 3 into an advanced Effect Processor !
