Steinberg CS40 v1.0.0 VSTi WiN
Team R2R | MERRY XMAS | 1.06 MB
A Six-Voice Dual-Oscillator Virtual Analogue Synth.
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A Six-Voice Dual-Oscillator Virtual Analogue Synth.
Create chord patterns, riffs, bass lines, effects, arpeggios, morphs, pads, leads, even 4-track songs quickly and intuitively with Xphraze. With chopping rave chords, complex polyphonic soundscapes, screaming bass and lead riffs, luscious sweeping pads and tempo-synced sound effects, Xphraze will have your music exploding from your speakers all in perfect sync.
VST-DX PLUG-IN PACKAGE FOR WINDOWS
The LM-4 Mark II 32 Bit VSTi drum module released in 2002 builds upon the original to give you more flexibility and better sounds! The Mark II comes with a huge range of high-quality 24 Bit drum and percussion sounds that cover the most diverse music styles from Latin and Rock to House, Electro and Drum’n’Bass. The Mark II’s enhancements include over 1GB of samples, 50 drum kits, drag and drop audio files, 20 velocity layers per pad, ADSR envelopes, Bit Crusher and Reverse, 12 outputs (3 stereo and 6 mono), volume, pan, and pitch automation. It also offers 16-, 24- or even 32- bit AIFF, WAVE or SD II (Mac only) compatibility. The LM-4 Mark II XXL is the LM-4 Mark II bundled with 70 additional high-resolution kits
Review by SoundOnSound: The highlight for most VST Instrument fans will be the new A1 virtual analogue synthesizer developed by Waldorf. This sounds fantastic, and the factory presets demonstrate its versatility at producing bass, pad, poly, lead and effects patches, including plenty of those oh-so-popular virtual analogue sounds.
D’cota provides four ADSR envelopes and two freely synchronizable LFOs for each of the three synthesis forms. Eight different types of filter and two waveform generators feed two independent spectrum stages with user-definable curves. The integrated Morph function allows easy fading between the two spectra in real-time. With its delays, distortion units, modulators and three oscillators featuring more than 60 waveforms for frequency, pulse width and ring modulation, the breathtaking power of the D’cota effect section opens up new, previously unexplored soundscapes.
For over 100 years, music has been recorded on mechanical storage mediums, and for over 100 years such recordings have been plagued by the same problems: wow and flutter. Who isn’t familiar with the wobbling and warbling, the droning and dragging? Mechanical degradation caused by defective devices or sticking tapes, by aging or defective storage. Furthermore, wow and flutter were for the most part irremediable. Countless recordings of renowned orchestras, big bands and rock groups are currently slumbering deep in archives because precisely this problem has rendered them unusable. The tapes worthless, the recordings lost to posterity. Until now. For with Capstan there is now for the first time a program capable of removing wow and flutter from musical recordings – whether on tape, compact cassette, wax, shellac or vinyl. Capstan detects wow and flutter by analyzing the musical material itself, so the medium is of no relevance. In this, Capstan is clearly superior to solutions such as bias tracking, because Capstan still works even if the tape has already been copied several times or digitized only in low resolution. Being musically intelligent, the Capstan algorithm is capable of recognizing not only the minutest amounts of wow and flutter but also continuous speed variations within the musical material itself and makes possible detailed editing that extends even to drawing in the curve manually. It is based on the patented DNA Direct Note Access technology made famous by the award-winning program Melodyne, which is used worldwide in all major studios for the editing of pitch and timing.