Mainliner v1.0 VSTi x86 WiN

ArcaneDevice | 20 March 2006 | 1.17 MB

…makes big, fat basses & weird sounds…

Okay, so I’m a sucker for big fat warbly detuned monobasses. Everyone needs a monosynth, no? I once had one, back in the mists of time, and now I do again. Here’s the rebirth of the infamous Mainliner, designed specifically for big nasty dnb basslines. Twice, no thrice, as good.. 3×3 oscillators, 3 LFOs, 3 EnvGen, 2 Filters, FM, HardSync, shiny gui. Pile on the pulsewaves, detune to all buggery, slap over an 8-pole LPF and hoov away, sunshine. I even made some presets for this one…

AudioMulch v2.2.4 WiN

ARTiCSTORM | 31 January 2022 | 24.2MB

AudioMulch is an interactive musician’s environment for PC and Mac. It is used for live electronic music performance, composition and sound design. AudioMulch allows you to make music by patching together a range of sound producing and processing modules. Unlike some patcher-based programming environments, AudioMulch’s modules perform high-level musical functions, so you don’t have to create things from the ground up using individual oscillators and filters. AudioMulch is designed for live performance and improvisation – you can process live audio sources and control every knob and slider on the user interface using a MIDI controller.

Genwave EQ v1.0 VST WiN

Team AiR | Date: 03/2008 | 13.33 MB

The Genwave™|EQ is the first product built on the Genwave™ technology. This is not a plug-in EQ like you’ve ever heard before. This is an absolutely no-compromise high-end 5 band equaliser that sounds so incredibly real you won’t believe it until you try it. Forget everything you thought you knew about audible flaws in digital processing. There are a lot of EQ plug-ins out there which do a good job of emulating hardware equalisers for most budget/project studios, however most professional engineers would not let their audio within a mile of these so called “perfect recreations”. We (and others) think that this is first time truly high-end analogue-like equalisation has been available in plug-in form.

RX 9 Pro For Music WiN

JKST | 11 November 2021 | 1.16 GB

.:VST, VST3, STANDALONE, x64:.

The industry-leading audio repair and edit software trusted by audio engineers is now available in a subscription! RX Pro for Music gives you the essential plug-ins necessary for polishing vocal and instrument recordings, isolating tracks, or fully rebalancing a mix. You’ll get all future updates and enhancements as long as you subscribe, at no additional cost.

LinPlug SPECTRAL v1.3.x WiN MAC

Team R2R | 01 October 2015 | WiN+MAC: 56.7MB

Our new top of the line synthesizer, the LinPlug Spectral. 14 years of synthesizer building experience. Estimated release is Autumn 2013. If you are familiar with subtractive synthesis, you will feel right at home with the Spectral, because you can choose a waveform, choose a filter and go on. But Spectral delivers far more options than you would expect from the well sorted user interface. The unique audio engine under the hood is capable of delivering many sounds never heard before. Right now we work with our sound designers on the factory library and finalize.

DTM SY01 v1.0 VSTi x86 WiN

PeaceOut | 30.12.2009 | 8.11 MB

Virtual Analog Synthesizer

* 1 LFO * 2 OSCILATOR * 1 FILTER * 1 CHORUS * Factory Presets * Step Sequencer

Microrock Pro v1.0 VSTi WiN

Team BEAT | 08/18/2004 | 687.25 KB

-microrock- is a physically modelled synthesizer with filters, distortion, overdrive, wah, chorus, vibrato and delay effect. -microrock- is a monophonic synthesizer that is ideally suited for bass, lead and powerchord lines. It is designed to deliver an aggressive and expressive sound for solos and riffs, similar to those you might get with an electric bass or an electric guitar through some pedal effects. But at any rate, -microrock- is and remains an electronic synthesizer and the emulation of a real string instrument vastly depends on how you will program and play it. -microrock- is an electronic synth for leads and riffs inspired by the grungy and pychedelic mix of early effected electric guitar and synths, like the ones from the first Pink Floyd album. -microrock- voices can also resemble human vocals or brass instruments sounds, thanks to the internal filters and its modulation abilities.