sideGATE MK I v1.0 VST WiN

Team NEMESiS | 24/06/2008 | 1.69 MB

sideGATE : lookahead flexigate with virtual sidechain input

Mono || Stereo || Dual Mono || ‘just-in-time’ mode

Voice Production : Use sideGATE as a lookahead noise-gate when for example, you have a presenter speaking against background noise. Normal gating would result in a bump in background noise as the presenter speaks and the gate opens, but with sideGATE’s lookahead feature, the background noise can be gently faded in before the presenter speaks creating a smoother, less objectionable sound. Music Production : When the sidechain is higher than the threshhold, the channel is audible, when lower, gated – just the sort of functionality needed to gate a reverb according to the level of a snare drum, a synth according to a hi-hat, a bass according to a bass drum and so on. sideGATE can also be used to alter the attack of a sound (soften a solo electric guitar making it feel like a lap steel) and its panned outputs can be used to create a situation where the position of a sound in the stereo field is switched according to its volume.

AnaMark VSTi v2.25.3 x86 WiN Full Version

NOW FREE | 16.07.2014 | 6.16 MB

Discover new soundscapes and a flexible variety of possibilities you won’t find anywhere else! AnaMark’s 3 oscillators provide many parameters. For each oscillator you can use one of 52 basic waveforms or combine two together, which results in more than 2000 possible waveforms. The oscillators can be detuned dynamically, so that e.g. sweeping-speed doesn’t increase with note pitch, but is equal for each played note! The signals of the oscillators can be combined in 21 different ways (e.g. normal mixing, ring modulation, FM, XFM, PM…) For modulations you can use several LFOs (52 waveforms), freeform envelopes, MIDI-events (MIDI control changes, note pitch, velocity) and random generators. These may be used directly or combined together to modulate almost all parameters.

PDFtoMusic Pro v1.4.2c WiN MAC

Team RBS | July 20 2014 | WiN 10.4 MB | OSX 14.5 MB

The scores you created with your old score editor are no more compatible with the new one? You own scores in PDF format, and you’d want to modify them with your favorite score editor? Until now, the only solution was either to input your score again completely, or to print them and to use an optical recognition software to convert them, with more or less success, into editable documents…

AlgoMusic AMB ElectraBass v1.2 VSTi WiN

TEAM AMPLiFY | 08.15.2008 | 7.51 MB

AlgoMusic and BK Synthlabs have released AMB ElectraBass v1.0, the latest addition to the arsenal of tools from the AlgoMusic-BK synthlab collaboration. ElectraBass focuses on Bass and Leads with a futuristic sound. Along with 4 different effects, a unique 32 stage sequencer allows you to input your own bass and lead lines with ease.

MuLab 6.0.35 WiN MAC OSX

FREE | MuTools | 15/07/2014

WiN 32x: 9.87 MB | WiN 64x: 10.39 MB | OSX: 10.46 MB

MuTools has announced the release of MuLab 6, a new and improved version of the workflow driven modular DAW application for Windows and Mac based computers. The updated version of MuLab introduces dozens of new features and improvements, from audio engine optimizations to new factory devices and workflow improvements. There’s just too much new stuff to list here, so I suggest that you take a look at the official What’s New In MuLab 6 page for a more detailed description of the new version. The UL version comes without any limitations, while the Free version supports only four tracks per project and no more than eight VST plugins per project. If the limitations of the Free version are crossed, the application will produce subtle white noise to let the user know that it’s working in demo mode. MuLab was my first DAW ever and it’s still the central part of my live performance setup. The modular back end of this fantastic application allows the users to create all sorts of different instrument and effect chains using 3rd party VST plugins. You can connect all of your favorite plugins with virtual patch cables inside the modular editor and then save the setup as a preset for later use. The application also includes a rich factory collection of virtual instruments and effects, all of which can be further tweaked under the hood in order to suit your needs perfectly. The individual components such as filters and oscillators sound fantastic on their own, so MuLab is also a great virtual playground for building your own virtual synthesizers and samplers.

SKWOSH v1.0 VST WiN

TEAM ASSiGN | 02 FEBRUARY 2011 | 6.06 MB

versatile compressor offering 4 main modes

SKWOSH, is a versatile compressor offering 4 main modes of hard and soft; compression and signal-boosting. Envelope following comes in a choice of peak or 2 RMS modes with optional peak-hold and simple or complex follow modes. The sidechain can be either internal (1&2) for regular stereo operation, or external; (3&4) for keyed operation. The sidechain filter offers high, low and band-pass with upto 4 poles for a maximum response or 24dB/octave. There is of course a monitoring switch to hear the filtering applied to the sidechain signal too. Various lookahead options are also on-board – a choice of set times with half, double and match modes relative to attack time. And to spice things up – SKWOSH sports 2 distortion algorithms for adding static or dynamic distortion depending on the level of input, and the gain reduction currently applied. To finish things off, the output (NY) mix control allows you to create the perfect balance between original and compressed signals, whilst the dual (input and output) flip switches make configuration a breeze.

Monolow v1.0 VST WiN-Peace Out

TEAM Peace Out | 29.04.2009 | 6,19 MB

monoLOW : low band conformance machine. monoLOW is just about the simplest tool going. The lower its frequency, the more a sound loses its directionality, so it sometimes makes little sense for frequencies below a certain point to be spread accross a stereo mix – a stereo bottom-end can cause a loss of focus.