Seventies Prog Grooves MiDi

P2P | 07.01.2020 | 11.09 MB

A JOURNEY BACK IN TIME SIGNATURES.

Basic rock grooves in close to any time signature imaginable.

By the end of the 1960s and continuing well into the late ’70s, bands like Emerson, Lake & Palmer, Kansas, Rush, Pink Floyd, Yes, King Crimson, Jethro Tull, Genesis and Styx were in the vanguard of a musical shift in rock. Suddenly, uncommon time signatures, long solos, technical passages, dragged-out instrumental parts and lyrical themes out of this world not only became common but largely accepted even on a commercial scale. In short: the prog rock scene that rose during this period applied extra everything – to everything. Maybe so the most in terms of drums. To this day, the timeless chops of Neil Peart, Phil Collins, Bill Bruford, Alan White and many others continue to inspire and set the bar. In the wake of this musical overthrow and inspired by the iconic drummers of the era, the Seventies Prog Grooves MIDI pack takes off. But although this collection of MIDI offers its fair share of technicality, the main idea behind it was to keep it plain, simple and easy to understand.

Blues Guitar EZmix Pack WiN

P2P | 06.07.2020 | 3.65 MB

A JOURNEY THROUGH THE BLUES.

50 amps – tailored for electric blues guitar.

When blues guitar shifted from primarily acoustic to electric in the post-war 1950s USA, it was the beginning of a revolution. Since then, nothing has been more influential on the development of guitar-driven music than the blues. Pioneers like Howlin’ Wolf, Muddy Waters and Jimmy Reed not only paved the way for music where an instrument can carry as much of a voice as a vocal, but the twang of their amplified chords also laid the groundwork to an industry. Needless to say, we owe a lot to the blues – not least the guitar hero. The Blues Guitars EZmix Pack picks up on this legacy and sets out to capture the essence of electric blues guitar from then through now. Crafted by Ulf Edlund, Toontrack sound designer, guitar collector and longtime amp aficionado, this collection was carefully sculpted to emulate several classic amps, speakers and stomp boxes. Expect anything from the raw and dirty tones of the 1950s and the British blues boom of the 1960s to the hi-gain clarity of today. With six decades worth of source material and inspiration, this is arguably the most genuine source of blues guitar ever captured in digital form. All you need now is a riff. Get your guitar out!

Progressive Metal MiDi WiN MAC

P2P | 07.01.2020 | 10.44 MB

ENTER THE MIDI MATRIX.

Raw, progressive power courtesy of Jay Postones of TesseracT. Tesseract. A four-dimensional hypercube presenting almost endless possibilities in the world of space, time and geometry. Project this cubic prism science on the world of MIDI and an infinite maze of unexplored space unfolds. At a glance, just tiny dots in the grid of your DAW. Combined, a composite of perfect symmetry that can be changed, rearranged and pushed beyond the confines of imagination. Welcome to the MIDI matrix. The Progressive Metal MIDI pack was performed by Jay Postones of TesseracT and is loosely based around his own catalogue with the band. Expect a collection where the complexity of fusion, the subtlety of jazz and the raw, unfiltered power of metal intertwines to a form a polyrhythmic alloy of hard-hitting, ghost note-riddled sophistication. These are drum foundations pushed to the limit of technicality, performed with razor-sharp finesse by one of the world’s premier progressive metal drummers.

Ample Bass U v3.4.0 WiN MAC

P2P | 30 April 2021 | 3.48 GB

…::: AU, STANDALONE, VSTi, VST3, AAX, x64 :::…

ABU has a 4.26 GB sample library which is naturally recorded on every single fret. No destructive editing and dynamic processing are applied. Features 8 articulations: Sustain, Mute, Natural Harmonic, Hammer On & Pull Off, Legato Slide, Slide in & out.  The Legato articulations can be used to achieve legato notes of any duration, speed, pitch and polyphony.
Alternate Tuning: Ample Upright Bass supports alternate tunings to the lowest note D1.

beaTunes v5.2.21 WiN MAC

Team DVT | 30 April 2021 | x86: 304 MB | x64: 305 MB | MAC: 297 MB

What started out as a BPM detection tool for DJs, runners and dancers, has become one of the finest iTunes™ library management tools around. BeaTunes’ powerful inspection feature lets you clean up your iTunes track data in a way unrivaled by any other software on the market today. Easily find typos or different spellings of artists’ names, automatically fill in the album artist names, and much more. No more R.E.M. and REM in your iPod’s artist list! No more albums hidden in the compilations section.

Compression & Saturation EZmix

P2P | 07.07.2020 | 2.90 MB

FIRST-RATE SATURATION.

50 settings to make your mixes sound warmer and more defined.

Leaving sound ideals aside, balance and definition is arguably the two things that make or break a mix. For this, compression is key. But one can’t simply just slap a random compressor setting on the mix bus and call it a day – it takes more audio surgery than that. Each instrument and component needs its individual treatment. The same thing goes for another universal battle that mix engineers seem to constantly be struggling with in the modern world of “in the box” mixing: warmth and analogue feel. This subtle art involving tube and tape distortion, various forms of EQ and compression is often what adds that final “glue” and shimmer that just makes a mix come together.

Pioneer DJ RMX-500 Plug-in WiN MAC

RET/P2P | 2016/02.03.2020 | WiN-v1.0.1: 3.1 MB | MAC-v1.0.2: 8.5 MB

Unlocked for installation without hardware

RMX-500 Plug-in is a plug-in software application. To use this software, the plug-in must be running within a host application supporting the plug-in (VST or Audio Units). By using RMX-500 Plug-in, the same effects as during DJ performances can be used on a music creation application. In this way, the RMX-500 can be connected to a computer and used as a controller, so the various functions can be used to create music intuitively, in the same way as when holding DJ performances.