En Hardball v1.0.0 WiN

TeamFuCK | 09 March 2023 | 114 MB

En Hardball Guitar Amplifier plugin is based on a ENGL Powerball II. EN Hardball Metal Head Guitar Amplifier is a pure, uncompromising metal amp plugin. This is the way of modern metal! But the EN Hardball also produces crystal clear Clean tones, crispy Crunch, dense solo sounds and everything in between. Its four Channels are optimally matched to each other so that all the degrees of distortion fit together seamlessly. Every gain setting is differentiated and delivered with razor-sharp attack. Total joy for any guitar with drop tunings!

TILT! v1.1.1 WiN MAC

MOCHA | 30 March 2024 | WiN:26.2 MB | MAC:63.4 MB

Incredible Sounding EQ

Boost or Cut energy with meticulously-tuned filters that sound incredible no matter how far you go.

MEQ-5 v1.5.2 WiN

BUBBiX | 28 June 2024 | 6.8 MB

MEQ-5 Midrange Equalizer

The MEQ-5 based on Classic Mid-Range Equalizer from the ’70s, with two bands of midrange boost and one band of midrange dip, the MEQ-5 gets the very best out of the «power region» where guitars and vocals can make or break a mix. The HLF-3C completes the MEQ-5 plug-in. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware. Save time and avoid tedious manual workarounds with MEQ-5 plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

Dragonfly v1.1.0 WiN

TCD | 20 November 2023 | 4.29 MB

BLEASS Dragonfly is a completely new approach to tremolo effect which brings new sonic possibilities to all music producers. Make your synths, voices or any melody “vibrate” in correspondence with its own frequencies, or with external basses and leads! Just like in Billie Eilish’s song “Xanny”, Dragonfly helps you achieve the same effect as when the voice gets modulated by a heavy bass.

Parallel Equalizer v1.2.0.0 WiN MAC

Team R2R/RET | 19 January 2024 | WiN: 5.58 MB | MAC: 3.7 MB

WiN64 – VST2/VST3/AAX(MODiFiED) | MAC: AU/VST2/VST3/

The Sonoris Parallel Equalizer (SPEQ) is a minimum phase parametric equalizer in VST, AU, AAX and RTAS format for Windows and Mac. The plugin is suitable for mixing and especially mastering. It has fixed filter types on each band and band 2 to 6 are connected in parallel. The filters are build in a feedback/feedforward manner to provide cutting and boosting, like in analog graphic equalizers. Band 3 to 5 are constant-Q bells and 2 and 6 are shelves. Band 1 and 7 are low/high cuts and connected in series with the rest.

Omega v1.2.0 WiN

Team R2R | 16 March 2023 | 9.5MB

User-Friendly FM Synthesizer

If you think FM Synthesis is complicated, it’s time to think again! BLEASS Omega places all of the sparkle, character, nuance and dynamic expressiveness of FM Synthesis at your fingertips, and does away with the arcane programming interfaces so often associated with FM. Harnessing BLEASS’ signature GUI technology, creating and crafting sounds in Omega is not just easier than with other FM synths, it’s easy – PERIOD! All of the classic capabilities of FM Synthesis are available in BLEASS Omega – expressive electric pianos, deep thundering basses, crystal-clear pads, sparkling bells, and soulful leads. And thanks to the instrument’s analogue-style Waveshaper and multi-mode Filter, BLEASS Omega can inject powerful analogue-like flavour into those pure FM tones, giving searing filter sweeps, growling distortions, and harmonically-rich resonances.

BLEASS Motion EQ v1.1.1 WiN

Team R2R | 16 March 2023 | 5.2MB

The plugin follows a graphic equalizer model, with the position of the three bands’ fader-style cut/boost controls also giving instant visual feedback of the EQ curve. But unlike a conventional graphic equalizer, BLEASS Motion EQ’s band widths are adjustable, making it easy to select the range of frequencies that will be affected by each band. Not only does BLEASS Motion EQ let you balance the tone of your audio, it can also work as a flexible filter too. Low-pass, band-pass and high pass filtering can be achieved by making use of the band mute controls. You can even create an all-pass filter effect by moving the high and low cutoff frequencies close together.