Type-A v1.0 WiN MAC

Team R2R | Dec 24 2017 | WiN: 10 MB | OSX: 68 MB

AU VST VST3 AAX x86 x64

Type A is a plugin inspired by a famous vintage tape encoder. The original unit was designed to be a noise reduction system for tape recording (encode stage) and playback (decode stage).
Type A emulates the encode stage, which was often misused as an enhancer, dynamically increasing the top end of a signal without introducing artefacts or altering the harmonic content. The results are similar to a dynamic EQ which adds presence and air to any track in a natural way.

EAReverb 2 v2.1.0 WiN

TEAM V.R | Dec 25 2017 | 12.9 MB

AAX* VST2 VST3 x86 x64

EAReverb 2 is a 100% algorithmic reverb plug-in (32/64-bit VST2, VST3, AU, AAX). It features the “Natural” core engine of the original EAReverb but also brings a plethora of new algorithms and functionalities accessible from a totally revised user interface. Compared to the former EAReverb which focuses on simulating natural environments, EAReverb 2 can then be considered as a more holistic answer to your reverb needs.

TransReckon v1.1.0 WiN

TEAM V.R | Dec 24 2017 | 5.33 MB

AAX VST2 VST3 x86 x64

TransReckon is a transient processor that will help you to add punch to your drum lines or put some instruments forward (or backward) in an extremely efficient way and with unexpected ease. TransReckon provides ‘Length’ and ‘Sensivity’ controls, a ‘Listen’ mode, a ‘Flat Sustain’ option and an integrated brickwall limiter. These options help to go further with the transient shaping process. They can be used to reduce artefacts when processing specific instruments (guitars, …) but they also offer new creative possibilities (gate and “pre-delay” effects on a natural reverb).

EARebound v1.1.0 WiN

TEAM V.R | Dec 24 2017 | 5.73 MB

VST2 VST3 x86 x64

EARebound is a full-featured multi-delay plug-in which has been designed to meet a specific need : to quickly create rhythm lines from percussive sounds recorded in various environments (natural, urban, industrial, …). Recording these sounds, processing them through (carefully selected) effects in order to obtain multiple versions of them, loading and mapping them in a sampler, placing them in space, … takes a considerable amount of time and can be an obstacle to spontaneous creativity. In addition, even if we are satisfied with the results after hours of hard work, this rhythmic grail cannot be easily modified, as we would like, during live situations.

Efektor Modulation Bundle v1.0.1 WiN

Team V.R | Dec 23 2017 | 24.2 MB

Chorus, Flanger, Phaser, and Tremolo

(Win32/64; AAX*, VST3, VST)

Following the footsteps of our Efektor Distortion Bundle, the newest addition to the Efektor series we studied and examined more than 20 models of fabled modulation effects from the 1950s to the last decade. Modulation type effects are widely used by organ/synth players, guitarists, and studio engineers to add width, depth, and movement to the original sound. In this latest bundle, we collect the prominent ones and packed them into four devices.

Vandelay v1.0.0 WiN

Team V.R | Dec 22 2017 | 1.71 MB

(Win32/64; VST3, VST)

Vandelay provides three separate delays in as many frequency regions. Each delay has an LFO that modulates the pitch of the audio stream. Together with tempo based delay times and feedback control you can create a very rich sound from almost any source. Sporting a clever, responsive and intuitive user interface, Vandelay is easily controlled and you will almost certainly get the hang out of it in minutes!

PressIt v1.0.0 WiN

Team V.R | Dec 22 2017 | 2.36 MB

(Win32/64; VST3, VST)

PressIt is a very sophisticated dynamic tool, best used as a master plugin, or to tighten up bus masters. It works really well on drums, but also background vocals or other stems that need to be tamed will fit well. PressIt consists of three compressors who work independently of each other. They are fed with the low, mid & high frequency band of the incoming audio signal. The compressor units consist of our unique algorithm from Korvpressor, developed together with engineers from KTH (Royal Institute of Technology) in Stockholm. They gently shape the three signals (with full control), and then sums it back into a nice unity. Before the audio leaves the plugin, there’s an optional brick-wall limiter to prevent digital distortion.