Vienna Ensemble Pro v6.0.18504 MAC

P2P | 29 December 2019 | 132 MB

Vienna Ensemble PRO is the ultimate symbiosis of systems and workflows, providing cross-platform MIDI and audio hosting over LAN, mixing in stereo and surround (up to 7.1) with full parameter automation and optional one-click integration of Vienna MIR PRO. Insert Vienna Ensemble PRO as a plug-in on any instrument track in your sequencer or DAW and use it as a mixing host for Vienna Instruments and all your third-party 64-bit and 32-bit VSTi/AU instruments and effect plug-ins (such as Spectrasonics, Native Instruments, Waves, you name it). The Preserve Instance function keeps all your plug-ins and settings loaded while switching to another cue, song, or project – a huge time saver! When used as a master-slave solution with multiple Macs and PCs you don’t need external MIDI and audio interfaces but a simple Ethernet cable.

GlissEQ v3.13 WiN MAC

Team R2R | 31 Dec 2019 | WiN: 8.5MB | OSX: 20.8MB

Parametric Equalizer

…::: HAPPY NEW YEAR!!! :::…

GlissEQ is a parametric equalizer AAX, AU and VST plugin for professional music production applications. The most interesting and unique feature of GlissEQ is the dynamic behavior of its filters. To understand dynamic filtering, let’s begin by re-stating something probably obvious about a normal equalizer: you always get what you set. In other words, when you specify a 6 dB boost at 100 Hz you get exactly 6 dB of boost at 100 Hz. But GlissEQ is different. When you specify a 6 dB boost at 100 Hz, you don’t necessarily get a 6 dB increase in gain. Instead, the filter’s effective gain is adjusted dynamically according to the program material. That is what we mean by dynamic filtering and it is the key to GlissEQ.

Elite Pianist WiN MAC

FANTASTiC | 03 December 2019 | WiN: 473 MB | MAC: 369 MB

…::: AU, VSTi, VST3, x86, x64 :::…

Elite Pianist, a virtual instrument catered towards Piano instruments. It is a simple plugin with a user-friendly interface. It contains live recorded piano samples designed for music producers, beatmakers and composers.

Bad Tape v1.0.1 WiN MAC

SYNTHiC4TE | Dec 04 2019 | 21 MB

MAC: VST, VST3, AU, AAX | WiN: VST, VST3, AAX

“A Tape Harming Effect Plugin”.

Its focus is on creating extreme tape artifacts. The inspiration for Bad Tape came from denise team member Enrico ‘nrec’ Tiberi: “I was using a lot of my old Akai 4000 DS MK2 reel to reel tape recorder pressing the tape to slow it down as an effect and that made me want a plugin that could control how to break the sound without having to use my fingers each time and without all the cables and fuss that analog hardware inevitably brings”. Combining a good old vintage tape sound with harming features makes Bad Tape a creative and versatile tool. Want an “out of tune and off the grid” beat or a wonky drum groove? Just keep the detune button pressed and it will create a tape-stop in real time. Press it shortly for slight slow-downs and speed-ups, or use wow and shake to make it go in and out of tune and go off grid periodically. Use the mix knob to create tracks that are heavily saturated and detuned, with additional interesting tape artifacts like hiss, squeal and harm. Bad Tape can be used to color and detune your whole track, or it can be applied to just one bar at the end of a section to help introduce some variation and lead in the next section of your song.

PsymmetrixDelay v1.2.4 MAC

DDP | Jan 01 2020 | 8.8 MB

AU, VST2, VST3, 64Bit

PsymmetrixDelay is a tempo synced delay, featuring LFO controllable pan & pre/post feedback filter stages, with buffer locking for extreme stutter effects.

Zebra 2 v2.9.0 WiN MAC

TEAM R2R | 01.01.2020 | WiN+MAC: 205.45 MB

PLATFORMS: WiN32/64 – VSTi/VST3/AAX | MAC – AU/VSTi/VST3/AAX

Synthesizer Workhorse with Stripes

Zebra is our wireless modular synthesizer. It combines many different types of synthesis with a powerful modulation engine. Imagine — you can create any additive, freehand or spline-based waveform you like, apply a vast selection of spectral effects, morph between those waves and send them through classic synth filters. Perhaps use that entire sound as modulator for an FM oscillator, or route it through a comb filter — the building block of physical modeling synthesis. All generator modules, all signal paths, all effects are stereo.

MFM2 v2.2.1.3898 WiN MAC

TEAM R2R | 01.01.2020 | 21.99 MB

PLATFORMS: WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

More Feedback Machine has always been a synonym for ultra-flexible delay effects ranging from bread & butter to weird rhythmic deconstruction. In the early days of native plugins, MFM1 was well ahead of its time. MFM2 carries on the tradition and extends it into the future. The idea behind MFM was to give the musician as much control over 4 individual delay lines as possible, have them interact, and offer easy ways to modulate delay parameters in realtime.