The Jellyfish is a live-input granular synthesis engine. The Jellyfish allows musicians to live-record their voice or instruments and to re-purpose that audio using to create drones, soundscapes and pulses in real-time. You can also drag-and-drop your favourite sounds on to The Jellyfish to use them as the basis for new audio experiments.
Phaser‑DDL is the first cycle-accurate software emulation of the unique phaser algorithm from the classic Ensoniq DP/4 effects processor. Used in countless records since the 1990s by the likes of Daft Punk, Alan Braxe, Sébastien Léger and others, this phaser instantly gives you the unmistakable French vibe. Phaser‑DDL has all the same controls as its hardware counterpart, and you can choose from three different sample rates from the original Ensoniq equipment to get that vintage AD/DA converter flavor.
The hardest hitting sub-bass every time.. A new class of synthesizer designed for hip-hop, future bass and trap genres. Create powerful 808 style sub-bass that sounds punchy on every speaker, every time.
MEGA Sampler is a sample player with an online sample library service built for your DAW. With an ever-growing sample library, easily navigate and find the perfect sounds for your productions. All you need to do is drag and drop a sample from our library into any of the 16 sample slots, which will automatically adapt to the BPM and Master Key of your session! It comes packed with over 7,500 loops including NI sound selections for the initial release! Process all these samples through modeled filters like the Knifonium, PPG, and new FX pedals from our partner brands Black Box Analog Design, AMEK, PPG, SPL, Maag, elysia, and more!
Crowd Chamber is an audio plug-in that layers multiple variations of a signal to create a crowd simulation. From simple chorusing effects, small crowds and stadiums, on to impossible situations and effects. When each voice is mixed, it is altered in varying time and spectral content, making unique versions of itself to create the illusion of different sources. With the additional spread function it can stretch out a single voice, which gives additional depth and complexity to the result. Once the concept had been created it became clear that Crowd Chamber could create far more than simple crowd scenes. Because of the feedback, wave cancellations, and simply the thousands of layers make it the perfect tool for creating strange and twisted effects. Crowd Chamber also follows QuikQuak’s other plug-ins with a visual, hands on approach. There is also a fast randomisation feature for rapid crowd creation.
New release!!: MixBox, a “500 series”-style virtual rack plug-in for Mac and PC. MixBox includes 70 studio processors and creative effects derived from IK’s T-RackS, AmpliTube, and SampleTank, as well as four new reverb algorithms. It packs these processors into a convenient and intuitive channel strip layout that can be used as a plug-in for any DAW or in stand-alone mode. View the complete gear and effects collection here Users can create and save their own custom channel strips in an 8-slot “rack” that can be used in all major DAWs. With drag & drop routing and a range of advanced controls like wet/dry mix, sidechain and individual processor gain, users can assemble even complex processor chains in seconds. MixBox’s stand-alone mode offers a complete, easy-to-use mixing experience for nearly any situation, with up to eight separate racks of eight processors each. Audio can be fed into a computer from any source such as a digital mixer or audio interface, and the MixBox main panel will offer control over all eight racks at once. Users can load rack presets, add or remove processors from each rack, activate the side-chain and manage input/output channels and gain for each rack, all from one panel.
Techivation T-Clarity is an audio plug-in designed to clean muddiness and boxiness in audio. It is a powerful tool for making your mid-range sound more solid and consistent. T-Clarity enhances the quality of mid-range frequencies musically, and it’s an essential tool along with the T-De-Esser for any audio processing tasks. What is a muddy and boxy sound? It’s very common to have an unpleasant sound from 200 to 500Hz in most recordings and mixes, and those unwanted audio effects are usually referred to as muddy sounds. A muddy sound is mainly caused by not having the right balance in the sounds. Boxiness is a similar unpleasant sound coming from a frequency range of 250 and 900Hz in many recordings.
