Fuel your stereo productions with an immersive fingerprint and glue your mix with the most natural reverb. EXOVERB offers 50 true-to-life sounding acoustic scenes with unheard three-dimensional depth and width. Achieve cleaned-up stereo mixes with more space for your tracks, relying on EXOVERB’s proprietary reverb engine with synthesized spatial multi-IRs.
Dipole is a through-zero flanger effect plugin. It employs two delay lines with dual-mode feedback, and one of the delays is able to run earlier or later in time in relation to another. As this time difference passes through the zero point, a very special sound transition occurs: with positive feedback, Dipole produces that coveted spectral “swoosh” effect of a jet plane fly-by – and with negative feedback the output signal warps and eventually cancels itself out. In the old days of audio production, such effects were created manually using two parallel tape machines – but now Dipole recreates that charismatic flanging, chorusing and psychedelic stereo widening with much higher fidelity and ease of use. The plugin offers both manual control of the zero point as well as modulation via its built-in multi-waveform generator.
Hollow is a vast space reverb effect plugin. At its core is a massive delay network comprised of 24 delay lines, 32 filters, and a feedback matrix with as many as 256 connections. With all settings maxed out, this engine is capable of producing tail times that exceed 15 minutes, while still having a very natural exponential decay. Hollow includes a variable diffusion stage and a unique bi-directional pre-delay: in addition to normal operation, it can also make the reverb tail precede the dry input signal, opening interesting new creative possibilities. Additionally, the plugin has trademark unison modulation via four phase-shifted sine oscillators – for adding deep, chorus-like vibrance and richness. The complex yet highly musical algorithms in Hollow also feature finely-tuned low-pass or high-pass damping filters, and employ a very special formula for adjusting the reverb engine’s stereo width – giving it a truly vast, almost three-dimensional sound.
The New Gucamole VST3i
Skew is a non-linear audio reverser. Perfectly synchronized to the host transport, it is constantly recording the incoming audio into a buffer – and playing it back in reversed chunks. The big trick in this algorithm is that it’s able to warp its playback speed via a selection of non-linear curves, thus bending the pitch in various ways. With each parameter having an extremely wide range of adjustment, Skew can be used to create multiple rhythmically-precise effects such as reversing, tape rewind, pitch slides, detune, glitching, and scratching. Thanks to its fine calibration, responsiveness, and DJ-style crossfade control, Skew can easily be automated or manipulated in real-time to add exciting musical complexity and create cool build-ups, breaks, and transitions.
Proclethya is a software synthesizer with analog characteristics. It is developed with three fundamental principles of analog in mind. DRIFT, NOISE and DISTORTION. The synth features dual oscillators with doubling, FM shaper, analog filters, unison per oscillator, SUB & NOISE oscillator, dual mix mode, powerful arpeggiator, EQ, FX and more… Oscillator A has five waveforms to choose from (Sine, Saw, Square, Triangle and Noise). Pulsewidth can be set for the Square and Triangle waveforms. Both oscillator A and B have a second doubling oscillator which can be activated by pushing the “2nd” button. The doubling oscillator can be detuned and the output can be forced to mono which gives a slight combing effect, a great effect when creating pads. The “Drift” knob introduces variations in pitch or drift which was inherent in old vintage hardware. Unison with up to 9 voices with control for detune and spread is per oscillator.
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