3rd gen Tube Simulation technology following the much hyped Amplifikation Caliburn. Amplifikation Matchlock is inspired by Fender* combo amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists.
Have you ever seen a plugin that sounds so much better when you put it on? And later discovered that it just adds 1 dB of gain on everything? Or maybe a new compressor, that has a fixed 2dB steps output knob? So that comparing before and after is a pain? Or maybe a saturation plugin with no output gain, so that it’s almost unusable? Decide if it’s better, not louder, in a moment! GainMatch is an affordable and easy to use tool that we think everyone should have in their arsenal.
SPAN Plus is a real-time “fast Fourier transform” audio spectrum analyzer plug-in for professional music and audio production applications. For the most part it was derived from GlissEQ dynamic parametric equalizer and reproduces its spectrum analysis functionality. SPAN Plus is an extended version of the freeware SPAN plug-in: SPAN Plus provides several additional features such as PNG file export, real-time spectrum import/export and static spectrums display. SPAN Plus provides you with a very flexible “mode” system which you can use to setup your spectrum analyzer preferences. You may specify Fourier block size in samples, FFT window overlap percentage, spectrum’s visual slope. Beside that you can choose to display secondary spectrum of a desired type (e.g. real-time maximum, all-time maximum). Spectrum can be smoothed out visually for an easier examination.
Factoid is a lightweight music plug-in and standalone application that lets you remix and randomize any audio clip. Sharing the same machine learning decomposition engine than Factorsynth, it decomposes any sound into a set of layers that can be manually remixed, muted or randomly shifted in time to remix or to change the temporal structure of the clip. Create new drum patterns on the fly, turn melodies into textures, remix and randomize full mixes and experiment with any kind of sound! Factoid version 2 is a complete re-implementation of the original Max For Live device as a VST/AU plug-in and standalone application. It includes new features such as individual component control and sound export.
The Jellyfish is a live-input granular synthesis engine. The Jellyfish allows musicians to live-record their voice or instruments and to re-purpose that audio using to create drones, soundscapes and pulses in real-time. You can also drag-and-drop your favourite sounds on to The Jellyfish to use them as the basis for new audio experiments.
Factorsynth is a unique tool for sound deconstruction. It breaks down audio samples into a set of elements using a machine learning algorithm. The pieces are ready for you to rearrange and remix in infinite ways to create complex textures, rhythmic and melodic variations, hybrid sounds and a full new range of sonic transformations! First released in 2018 as a Max For Live device, version 3 brings the Factorsynth technology to all VST/AU compatible DAWs. For the first time, it also runs as a standalone application.
DuoTone Collection is all 8 effects in the DuoTone 2 series bundled together – with a shared installer and serial number for ease of access and setup. Not to mention the discounted price. Well now we’ve mentioned it this is $284.00 of value currently for only $180.00, so that’s a saving of over $100.00. Each DuoTone plugin uses our unique approach to audio routing to give you a whole new way of working with effects. DuoTone effects share a common approach to audio routing, so when you learn how to use one plugin then you’ve learned them all. Each DuoTone plugin takes the in-bound audio, applies a volume control and then splits the audio signal into three separate paths: the A Channel, the B Channel and the Dry Channel The Dry channel is just that – no effect applied, but you can add a fixed delay (for those double-tracking effects) and its own volume(gain) control. The A Channel and the B Channel have similar layouts, each starts with a parametric eq, with unlimited nodes, that allows you to shape the inbound signal to your liking before it enters the effect, then comes the effect itself – with all the controls you will ever need – followed by a pan control and an independent gain control.
