Jura v1.2.1.14 MAC

Team Xdb | 09 February 2026 | 81MB

SWEET DREAMS

In 1982 something magical happened in the world of synths, a Japanese legend was born. It was one of the synths that defined the sound of the 1980s and was used on countless hits by artists such as The Eurythmics, Cyndi Lauper, and Aha. Now it’s loved more than ever and used on tracks by acts like Charlie Puth, Tame Impala, and the Weeknd. Now we bring you something very special, the authentic sound of that 80s synth But that’s just the start, we wanted to build on the legend and make it fit for modern music production workflows. So for those with qualified AKAI MPC/FORCE standalone versions, you get complete touch control of every parameter. You can really get your hands on this vintage classic and craft your future hits.

P915 Medusa v2.0.2 MAC

MORiA | 08 February 2026 | 78.6MB

The intent of the Fixed Filter Bank was to enhance the primary signal of the synthesizer, adding harmonics at specific frequencies or removing them at others. Some wanted completely new and never before heard sonic landscapes to push themselves and their audiences into new worlds of musical experience. Others wanted to create more traditional and familiar sounds, while still pushing the boundaries and making use of the new voltage controls, features, and character not available in a traditional “un-plugged” instrument. Some wanted both. Enter the new reimagined P915 MEDUSA Fixed Filter Bank. A filter which adds subtle or not so subtle resonances to the signal or removing frequency bands altogether. This process, when mixed in with the unaltered, “dry” signal, can mimic the actual behavior of a traditional instrument. It can also act on its own as a unique and creative source of sound shaping possibilities not available in other filter structures.

bx_refinement V3 v3.0.0 MAC

TEAM HCiSO | 06 February 2025 | 36.79 MB

bx_refinement, a powerful and versatile dynamic EQ. It was an instant classic that many use to this day. The new bx_refinement V3 overhauls this essential tool for another decade in the DAW: new code, new features, greater stability, clarity, and control. Now, the simplest solution really is the best.

Ampbox v1.8.0 WiN

Team V.R | 07 February 2026 | 107 MB

..:: AAX, VST2, STANDALONE, VST3 ::..

It’s an ever-evolving platform for all* our products, current and future. You will get Ampbox for free when purchasing one of the supported plugins*. The platform has everything you need to create perfect tones with just one plugin. It’s simple, elegant and versatile. Powered by Mercuriall Neural Hybrid Engine v1.5 technology.

TONEX MAX v1.10.4 WiN

Team TCD | 07 October 2025 | 2.9GB

PLATFORM: STANDALONE/VST/VST3/AAX

AI Machine Modeled tone creator, player, browser

Experience hyper-realistic Tone Models. A revolutionary concept in rig modeling, and the core of the TONEX ecosystem, TONEX software uses breakthrough AI Machine Modeling™ technology to let you model the sound of any amp, cabinet, combo or pedal, and turn it into a plug-in, all with a sonic accuracy that’s virtually indistinguishable from the real thing.

FXEQ v1.0.0 MAC

MORiA | 07 August 2025 | 234.97MB

Creative FX through the workflow of an EQ

5 powerful creative effects. 1 innovative EQ workflow. Easily add drive, dimension, and texture without complex routing, buses, and sends.

KORG Multipoly Native MAC

MORiA | 07 August 2025 | 136.77 MB

..: AU, STANDALONE, AAX, VST3, 64Bit :..

Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility. It’s already garnering acclaim as one of the best synths of the year. Now, Korg is pleased to announce multi/poly native, the fully-compatible software counterpart to the hardware multi/poly synthesizer. multi/poly native is available in VST3, AAX, and standalone formats on both macOS and Windows, as well as AU on macOS. You can seamlessly exchange sounds between hardware and software, and access an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. Produce in your DAW with multi/poly native, and then play the same sounds on stage using the multi/poly hardware. Create sounds with the hardware’s hands-on interface, and then share them with a computer-based collaborator.