HYPE embodies high-end mixing hardware, offering dynamic processing tools for compression, harmonics, and stereo width adjustment. It transcends analog limits with over-the-top compression and groundbreaking harmonic overtones.
A cutting-edge compressor that is equipped with ”DFP(Division of Force Processing)” a technology that VQ spent 3 years developing to thoroughly reproduce the nuances of an analog circuit. Mastering grade signal processing technology can be achieved with an extremely low CPU load. The internal processing is fully 64 bit and produces sounds with unbelievable transparency.
MYTH isn’t just another synth—it’s built to spark hands-on creativity and sonic exploration. With the powerful Re-synthesis V2 engine and quirky IRIS oscillator, MYTH transforms any sample into something rich, organic, and totally unique. Dive into 900+ presets from top designers, or twist and play your way to new sounds.
Harmony Bloom is a MIDI generator merging polyrhythmic patterns with beautiful visuals. Send MIDI data to any device that accepts it, unlocking a range of musical possibilities. Harmony Bloom aims to effortlessly create magical sequences while letting users add their personality. It offers many parameters for customization or randomization until the desired result is achieved.
Over his long career, multi-platinum award-winning Super Producer / Engineer D.B has developed an amazing workflow to blend multiple reverbs applied to a channel or a bus for a layered and nuanced sound. What happens when you take that workflow and wrap it around a custom reverb engine that provides the key reverb patches that he has dialed in and used on the classic recordings he is known for? You get DBVerb! DBVerb replicates 12 of David’s favorite reverb patches. The plug-in also implements his signature workflow for dialing in the perfect reverb by putting 4 different reverbs in parallel, each with a dedicated fader to allow you to quickly blend the contribution of each verb into the overall response.
CGII is comprised of two uniquely complementary dynamics enhancement sections, a new True Peak Limiting stage, DC blocking and dither with LUFS/true peak metering via spiffy tube filament displays, all operating at up to 16x over-sampling (or none at all – depending on your tastes). The design prioritizes musical integrity and ease of use, with the ability to add effective loudness, weight and definition without diminishing spatial depth and visceral impact the way traditional dynamics processors often do. Use CGII to make your masters loud without losing the clarity, density and heft of the original mix. Even if you are working with a mix that is already loud, you can give it a little extra, without adding unpleasant distortion and without flattening out the material and sucking the life out of the low end. At the same time you can control the true-peak level of the program to ensure that there are no inter-sample overs.
For years and years I’ve been staring at photos of classic and modern sessions, always trying to learn what I can about my favorite producers, mixers, and engineers. I’ve probably spent hundreds of hours staring at photos, studying the racks and searching for unique pieces of gear. I eventually stumbled across a quote from Michael Brauer, about about a certain someone being 100% “in the box” except for a single piece of hardware, which led me to the discovery that I am proud to present to you. The MixHead.
