RealRick v4.0.0.7250 WiN MAC

Team R2R | 04 Aug 2016 | OSX: 417.0MB | WIN: 413.0MB

In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few.  Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.

That Thing v1.2.0 WiN MAC

iND | 31 July 2016 | WiN: 131 MB | OSX: 163 MB

There was something about older drum machines and synths that made them sound punchier and more pleasing than today’s clinically perfect sounds. “That Thing” is a multi effects processor that was designed to get you “That Thing” missing from digitally perfect tracks today. It features a beautiful wide and deep chorus section great to thicken anything from synths, vocals, bass, pads drums and other sounds. The soundscape generator features 50 samples of old vinyl players, tape machines, old radio, tube gear, atmospheres, ambiences etc. These ad to your sound with an envelop follower, so the sounds add in only when signal is present and move, and pan with the level of the signal. Easily change the pitch of the soundscape to make it work with any audio you pass through it. The plugin features a bit crusher and distortion that emulates the sound of vintage drum machines giving you a choice of 8/12/16 and 24 bit audio. There is also an analog Low Cut and High Cut filter section designed to shape your sounds further. A wet and dry fader is included to blend in the effects with your original audio.

AnalogStage v1.1.1 WiN MAC RETAiL

P2P | 24.07.2016 | 68,41 MB

VST VST3 AU RTAS AAX

AnalogStage emulates those sound characteristics usually associated with analog gear (saturation, hiss, non linear frequency response, etc.) and can be used to bring to your mix some analog console flavor if used on every channel or buss. AnalogStage simulates the response of three different types of analog technology: operational amplifiers (the cleanest and more modern technology), transistor (the discrete transistor designs were popular in the 70s and have some fat saturation) and tube (the dynamic and smooth saturation of the past). Every one of the three different type of emulation can be used inside the same project but for convenience you can create up to eight group of instances so that any change to the emulation type, age, hiss switch and saturation switch is applied to every plugin belonging to the group.

Spikes v1.0.0 WiN MAC RETAiL

P2P | 24.07.2016 | 11,21 MB

AU VST VST3 RTAS AAX

Spikes is a transient processor, thanks to it’s intelligent auto settings you need just one knob to manipulate the sound, but if you want to tweak it every control is there at your fingertips. Working with audio often happens that you need to manipulate peaks and body of the signal, sure you have compressors at your disposal but a compressor needs a fixed threshold to work, a plugin like Spikes on the other hand uses a relative threshold so you don’t have to worry about the level of the signal.

Ampeg SVX v1.1.3 VST AU UB RTAS WiN MAC

TEAM DYNAMiCS | 09.09.2009 | MAC: 20.9 MB | WiN: 18.79 MB

Ampeg, the historic brand that invented bass amplification, and IK Multimedia, the leader in amp-modeling plug-in technology, bring you the first bass amp plug-in with a real signature sound. A legendary bass sound from the leaders in bass amplification and modeling technology. Ampeg has made history with its bass amp sound, and now sets the future standard with this premier software plug-in. Made in conjunction with IK Multimedia, the leader in software modeling technology, this utility sports Ampeg’s legendary signature tones.

Sybilla Pro v1.1.0 WiN MAC

P2P | 21.07.2016 | 22,30 MB

VST VST3 AU RTAS AAX

Sybilla Pro is a multi filter de-esser, unlike other traditional de-essers Sybilla Pro has 8 different tunable filters to effectively find the offending sibilance and feed the compressor that will reduce it. Sybilla Pro is a wideband de-esser, the compressor stage is driven by the sum of the output of the active filters above the threshold so that if the sibilance moves in frequency Sybilla Pro can follow it and never miss it. Another peculiarity of this plug-in is that the threshold is not fixed, but relative to the signal, the compressor is driven by the sum of the filters which is computed against the unfiltered signal, this difference is then used as key for the compressor. What happens with this kind of processing is that de-essing takes places even in softer passages where with traditional fixed threshold de-essers the signal must be above the set threshold for de-essing to take place.

Infected Mushroom Pusher v9 MAC

iND | 18 July 2016 | 156 MB

Created with leading electronic music duo Infected Mushroom, Pusher is an innovative multiband sonic enhancer and limiter/clipper that delivers Infected Mushroom’s “secret mixing sauce.” Pusher brings together high-end processing and Infected Mushroom’s decades of mixing experience to give you enormous possibilities for boosting frequencies, enhancing sounds, and mastering full tracks for any genre or style. Whether you’re preparing your music for a release or to play out in clubs, you can use Pusher to add grit to your drums, add brightness to your instruments or push your whole mix to the max – all in a matter of seconds. Pusher is also low-latency, so you can freely use it in the studio or live on stage.