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  • Cakewalk L-Phase Equalizer v1.0.3.68 WiN MAC-R2R
    February 6th, 2017 ⚡
    Categories: AAX, AU, Cakewalk, macOS, VST, WiNDOWS, x64, x86

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    L-Phase Equalizer v1.0.3.68 WiN MAC

    TEAM R2R | 2017.01.26 | WiN: 9 MB | MAC: 25 MB

    AU/VST/VST3/AAX

    The L-Phase Equalizer features 20 color-coded bands, five filter types, and automatically picks the most common filter or EQ curve based on the frequency where the band is created.



    Viewed 6825 By Music Producers.


    • Cakewalk L-Phase Multiband Compressor WiN MAC-R2R
      February 6th, 2017 ⚡
      Categories: AAX, AU, Cakewalk, macOS, VST, VST3, WiNDOWS, x64, x86

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      L-Phase Multiband Compressor

      TEAM R2R | 2017.01.26 | WiN: 9.8 MB | MAC: 26.3 MB

      WiN v1.0.3.84 / OSX v1.0.3.101

      AU/VST/VST3/AAX

      The L-Phase Multiband features 6 color-coded bands, external sidechain support with audition, Auto Release to minimize pumping, and intelligently sets the attack time based on where the band is created.



      Viewed 11597 By Music Producers.


      • Metric Halo ChannelStrip v2.2.02 AU VST GB MAS RTAS TDM MAC OSX-iND
        February 1st, 2017 ⚡
        Categories: AU, macOS, MAS PLUGiNS, RTAS, TDM, VST

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        Metric Halo ChannelStrip v2.2.02 MAC

        iND | 13.09.2012 | 36 MB

        Metric Halo’s ChannelStrip has been an integral part of the sound of myriad Grammy-award winning, Gold and Platinum records, hit TV shows and blockbuster movies. The first plug-in to bring classic large format console-style ChannelStrip processing to Pro Tools TDM, ChannelStrip has been the critical tool for getting “the sound” for thousands of professional recording engineers, composers and musicians world-wide.



        Viewed 19335 By Music Producers.

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        • Ricochet v1.1.3 VST x86 x64 WiN
          January 31st, 2017 ⚡
          Categories: Audio Damage, VST, WiNDOWS, x64, x86

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          Ricochet v1.1.3 VST x86 x64 WiN

          P2P | 09.010.2015 | 10,78 MB

          Ricochet is a sophisticated, yet easy-to-use multi-tap delay, with the signature Audio Damage sound. Featuring a 16-step grid for programming tap time, Ricochet is right at home in modern electronic music production, designed specifically for that context, and is much quicker to program than the run-of-the-mill multi-tap.



          Viewed 4503 By Music Producers.

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          • Studio Devil Virtual Tube Preamp v1.0 AU VST RTAS WiN MAC-R2R
            January 28th, 2017 ⚡
            Categories: AU, macOS, RTAS, StudioDevil, VST, WiNDOWS

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            Virtual Tube Preamp v1.0 WiN MAC

            TEAM R2R | 2013.11.17 | WiN: 7.57 MB | MAC: 17.5 MB

            Studio Devil Virtual Tube Preamp faithfully emulates the analog circuitry of a discrete, class-A biased, vacuum tube preamplifier. All of the associated analog circuitry, including the vacuum tube itself and the effects of biasing resistors and capacitors, are simulated in amazing detail. Just about any audio source or track can benefit from the natural soft limiting and dynamic warmth that this virtual tube preamplifier provides.



            Viewed 7413 By Music Producers.


            • Propane v1.0 AU VST VST3 AAX WiN MAC
              January 27th, 2017 ⚡
              Categories: AAX, AU, macOS, VST, VST3, WiNDOWS

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              Propane v1.0 AU VST VST3 AAX  WiN MAC

              P2P | 27.01.2017 | WiN: 3.39 MB | MAC: 14.16 MB

              A Unique Mid-Side Panner for Detailed Stereo Placement
              A well balanced stereo image is essential in any mix. With regular panning however, the options for placing a rich stereo track in the stereo field are limited. Propane gives you the option to pan the mid signal separately from the side signal of a stereo track. This way you can position the mono part of your track in the stereo field as you like, and use the side information to shape the width and stereo image of the track. Besides giving you much more control in comparison to regular panning, this technique can be used very effectively for compensating for a stereo track with an unbalanced or lopsided centre, or for creative automated and tempo synced stereo effects. Also, it is a very natural sounding alternative for panning a bus reverb.



              Viewed 3062 By Music Producers.

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