Litote v1.1 WiN MAC

ZEUS | 30 May 2018 | 7.33 MB

AU VST x86 x64

Litote is a granular audio effect plugin which can turn any sound into a dramatic texture. Four audio engines can be combined using a XY pad for a wide range of variations. Hiding the complexity of the engines, Litote delegates patch creation to a smart randomizer for instant gratification and endless possibilities. For perpetually evolving sounds, Litote also includes a trajectory mode to travel through these granular landscapes automatically. With deep sonic possibilities hidden behind a playful and easy to use interface, Litote is an essential tool for musicians and sound designers.

SideKick 6 v1.7.216 VST VST3 WiN

Team V.R | 01 Jun 2018 | 3.4MB

SideKick Extended 6 is the easiest, yet most comprehensive side-chain compressor that works in your VST and/or AU compatible host on Mac and Windows. With Side chaining you change the volume from one sound by the volume of another sound. It is most commonly used to duck (bass) sounds on each kick punch. Creating room in your mix for maximum fatness.

AVA v1.1.1 MAC

Team HEXWARS | May 28 2018 | 33.7 MB

..:: Mastering EQ ::..

AU / VST / VST3 / 32Bit / 64Bit

The first in Harrison’s new series of cross-platform plugins, the AVA Mastering EQ is a powerful tool for controlling your final mix balance.

Nebula FX v1.0.2 WiN MAC

SYNTHiC4TE | May 21 2018 | 24 MB

AU AAX VST VST3 x86 x64

After the release the Oracle, our creative reverb plugin, we we inundated with requests from customers asking if we could release the flanger as a plugin in it’s own right. We thought this was a great idea, however we felt we could do one better than that, and began the development of the Nebula. The Nebula is a multi fx plugin that features a stereo delay, chorus, flanger, filter & LFO, that can be used to add some serious sonic madness to your music. The signal path of the Nebula is one that has been used by our in-house sound designers over the last 3 years, and has featured in a plethora of sample packs. When the signal path was combined with 5 powerful effects, an intuitive interface and super lightweight code, the Nebula was born.

Outer Space v1.2.0 WiN

Team V.R | 18 May 2018 | 15.28 MB

VST VST3 AAX x86 x64

Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies. As the original unit, Outer Space features a tape echo section with three playback heads and a spring reverb tank. We have modelled three different tape frequency responses and saturations, along with all the analog imperfections of tape recording/playback. We’ve also modelled the ballistic response of the delay rate (repeat rate) which can create eerie pitch shifts (due to the Doppler effect), one of the classic tape echo-based sound effects

miniBit v1.5.0 WiN

Team V.R | 18 May 2018 | 6.71 MB

AAX VST VST3 x86 x64

miniBit is a 8-bit/chiptune style synthesizer that emulates the sound of 80s game consoles and retrocomputers. It features a main oscillator with 12 waveforms paired with a sub oscillator (a square wave pitched one octave below). The waveforms are not bandlimited and will produce aliasing. Furthermore, using the built-in bitcrusher, you can create even more noisy and retro sounds.

Destructor v1.3.2 WiN

TEAM V.R | 16 May 2018 | 48.51 MB

(Win32/64; AAX, RTAS, VST3, VST)

Destructor is a powerful distortion and amp sim modeling tool capable of simulating any kind of distortion: from harsh digital destruction to smooth compression or guitar amp simulation (works for clean tones too.), and most importantly, yours. It is delivered with hundreds of presets and predefined models, either inspired by existing gear (guitar & bass amps or cabinets, compressors, pedals, tape machines…) or created by our destructive minds. But the plug-in is not limited to these predefined models: all parameters of existing presets are fully editable, which gives you access to an unlimited number of distortion simulations – no need to purchase extra presets or amp models to build your custom tone. Based on a perceptual model rather than on electronic designs or impulse responses, the signal chain is reduced to its bare minimum, simplifying the process of tweaking the tone and making it fit into the mix.