Type-A v1.1.0 WiN

TEAM R2R | 09.11.2019 | 11.16 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

Type A is a plugin inspired by a famous vintage tape encoder. The original unit was designed to be a noise reduction system for tape recording (encode stage) and playback (decode stage). Type A emulates the encode stage, which was often misused as an enhancer, dynamically increasing the top end of a signal without introducing artefacts or altering the harmonic content. The results are similar to a dynamic EQ which adds presence and air to any track in a natural way.

Outer Space v1.2.1 WiN

Team R2R | 09.11.2019 | 39.8 MB

VST, VST3, AAX*, x64

Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies. As the original unit, Outer Space features a tape echo section with three playback heads and a spring reverb tank. We have modelled three different tape frequency responses and saturations, along with all the analog imperfections of tape recording/playback. We’ve also modelled the ballistic response of the delay rate (repeat rate) which can create eerie pitch shifts (due to the Doppler effect), one of the classic tape echo-based sound effects

Reels v1.1.0 WiN x64

TEAM R2R | 09.11.2019 | 27.63 MB

WiN64 – VST/VST3/AAX(MODiFiED)

Reels is a tape emulation plugin with built-in echo section and tape-stop effect. Based on an old Japanese portable tape recorder with a very distinct Lo-Fi analog sound, Reels emulates all the imperfections of consumer reel-to-reel recorders. We have modeled three different 1/4” tape frequency responses and saturations, along with all the analog imperfections of tape recording / playback. Reels will add a very rough retro analog sound to your mixes. If you are looking for a Hi-Fi mastering tape emulation, this is not the plugin for you!

EQ232D v1.0.1 WiN

Team R2R | 13 Nov 2020 | 20.5MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

The EQ232D is a faithful plugin recreation of one of the most respected analog mastering EQs of the new millennium! The original hardware EQ232P MKII on which it is based is renowned for delivering the lush, supple bottom and clear, smooth top end of the legendary Pultec EQs—but with a clean and modern twist that’s perfect for contemporary styles of Hip Hop, EDM, Pop, or even Metalcore. ​This precisely modeled plugin version of instant classic mastering-grade EQ is no different. Like the analog original, it offers the incredible low and high-end shaping capabilities of the best passive EQ designs ever devised, along with the precision, detail, and features of a high-end 21st-century design.

In The Key Of A WAV

JKST | 30.03.2020 | 2.95 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.

In The Key Of Bb WAV

JKST | 30.03.2020 | 4.5 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.

155 Jingles For Discjockeys

TEAM DJYOPMIX | 07.04.2020 | 452.7 MB

Release Date: 1985 / Ren Groot: Rip Vinyl

155 Jingles Voor Discjockey’s, Radiostations, Ziekenomroepen, Discotheken Enz.