Music Theory Using the Ableton Push TUTORiAL

P2P | 21-06-2015 | 458 MB

Traditionally, music theory is taught with a piano as the main tool to learn the concepts. In this class, we take music theory concepts and apply them to the the Ableton Push controller. Using the Push, we can find the patterns for chords, harmony, and intervals that will get you producing, songwriting, or composing with the Ableton Push. It is recommended students have already taken Music Theory for Electronic Musicians I and Music Theory for Electronic Musicians II: Minor Keys and More

Learn the basics of Sibelius 7.5 TUTORiAL

P2P | 22-06-2015 | 791 MB

This course assumes that you are already a “musician” (ie. you already know how to read music, play an instrument or sing, and follow a score.) This course will teach you the basics of inputing music into the computer notation program, “Sibelius.” You don’t need to complete the course in order. You can jump around and watch the lessons that pertain more to what specific functions you need to learn.

Simple Electronic Dance Music Making In Ableton TUTORiAL

P2P | 21-06-2015 | 155 MB

Learning new software is tough. Especially when all you want to do is make something for fun in a limited amount of time. Getting to that feeling that you learned something is vital. Here we will fast forward to that feeling using this little trick of mine, that will have you working on a full song within minutes of opening Ableton Live. We’ll then learn how to create a sound similar to EDM artists Daft Punk. You’ll definitely want to show this work off to your friends when you’re done.

The Fundamentals of Mixing TUTORiAL

SYNTHiC4TE | June 21 2015 | 412 MB

BUILD YOUR MIX FOUNDATION STRONG

The methods for getting a great mix are dependent on the genre of music, gear being used, and the person doing the mixing, but the fundamentals are always the same. Let mixing expert Brock Jon show you the ever-important fundamentals that you can apply to all of your mixes. The next two videos discuss Balancing the Mix, beginning with the Drums, in order to have your tracks sounding close to where you want them before you start processing individual sections and tracks. Brock then gets into the individual sections of your song, beginning with Treating the Drum Tracks. After that, he explores Treating the Bass, Keyboards, Guitars, and Vocals. Finally, with the song almost mixed and all the tracks sitting where they need to, he shows you how to Apply Reverb to Give Your Mix Extra Depth and Width.

How to Produce a Professional Radio Show

in Ableton Live TUTORiAL

P2P | 21-06-2015 | 160 MB

Even A-List DJs make mistakes because they’re not aware of certain aspects of radio which lead them to produce bad radio shows. I’ll be delivering to you my 15 years expertise in the radio world so you can skip the mistakes and getting straight to offer a true professional-sounding radio show. I’ll point everything you need to know about what to do and what NOT to do!

SWA Complete FL Studio 12 TUTORiAL

SYNTHiC4TE | June 21 2015 | 3.4 GB

This video series is designed for beginner to intermediate level FL Studio 12 Producer addition users. The objective of this course is to familiarize you with the FL Studio 12 workflow and introduce you to some tips and tricks when building custom sounds as we write a Chillstep track. After we have completed writing a track from scratch we will dive into more specific techniques as we cover beat making and vocal processing using some of the great tools in FL Studio and you’ll get to see how these tools can be used to create some of the signature sounds you hear in Pop, Hip-Hop and R&B.

Drum Recording Session TUTORiAL

TEAM kEISO | 2015.06.19 | 786 MB

In this course, GRAMMY-winning recording engineer, producer, and mixer Ryan Hewitt explains his techniques for capturing drum sounds in one of the best recording rooms in Los Angeles, EastWest Studio 2. Utilizing the talents of A-list session and touring drummer Josh Freese (interviewed in the first chapter of the course), Ryan will demonstrate his mic choice and placements on Josh’s drums, spending time on the details of the kick, snare, toms, cymbals, overheads, and room mic setups. Ross Garfield, the Drum Doctor, assists in fine-tuning the drum sound. Watch for a one-of-a-kind look at the pros at work.