Theremin Plus KONTAKT

FANTASTiC | Nov 17 2016 | 866 MB

Ambient Electronic Theremin Tones

The THEREMIN+ is an advanced library based on the classic sound and feel of the legendary Theremin, but with a huge twist and a wealth of additional sound-designed pads, leads, ambiences and atmospheres. Our Theremin+ behaves as close to a Theremin as you can get on a keyboard, smoothly gliding between monophonic notes with variable speed. The Glide knob allows you to adjust the speed of the glide between notes and when set to 0, turns this otherwise monophonic instrument into a full polyphonic sound creator! The Theremin+ includes a number of real Theremin samples, generated tones, and a plethora of carefully crafted sounds, designed from a wide array of sources.

TH-U: Getting Killer Tones

SYNTHiC4TE | Nov 03 2019 | 636 MB

A collection of comprehensive TH-U video tutorials! Learn the ins and outs of this awesome amp modeling and effects software and how to use it to create killer guitar tones and more! This series is designed for new and intermediate TH-U users. Gary welcomes you and goes over what this series will cover, followed by the differences between the Standalone and Plug-In version of TH-U. Next, Gary goes over TH-U’s browser interface so you know how to navigate through it and find everything you need to make killer tones. Moving on, you’ll learn all about how you can add an Amp and Speaker configuration when crafting your tones, the signal flow found in the Sound Chain, setting up a multi-amp configuration, the advanced amp modeling features that allow you to alter the preamp and power amp tubes, plus how to use variable voltage control for an almost endless sonic palette.

Creating MASSIVE Guitar Tones using Amp Sims

FANTASTiC | 20 March 2019 | 514 MB

In this class, I’ll walk you through how I craft high-gain guitar tones using only software! In 2018 it is definitely possible to get realistic sounding guitar tones from amp simulators, and using a few tricks I’ll show you how to achieve massive sounding tones with inexpensive software. Project Description: I’ve provided the DI track I used in the class for you to create your own tones with. Upload your finished tone and let me know what sims, cabs, pedals, and other plugins you used to create it!

Vortex SoundWaves KONTAKT

TEAM MAGNETRiXX | 13 April 2014 | 268 MB

Vortex SoundWaves is a collection of 22 Kontakt 5 instruments of abstract, atmospheric sound textures and tones. The sources that were used to create these instruments are genuine analog synthesizers, software synthesizers as well as treated acoustic instruments and physically modeled instruments.

Abstract Interior Tones WAV

DiSCOVER | 01/APRiL/2017 | 1.07 GB

80 files included – Abstract Interior Tones is a high-definition collection of synthetic, inharmonic room tones and drones. Abstract Interior Tones is a high-definition collection of synthetic, inharmonic room tones and drones, that are made exclusively to provide sound designers a truly diverse sonic palette for designing neutral, non-intrusive, and spacious soundscapes for science fiction, horror, fantasy, dramas and documentaries. Abstract Interior Tones features 80 24-Bit/96kHz seamlessly looping sounds, normalised to -23LUFS and embedded with Soundminer metadata.

Textures + Tones CDDA

Team: SynthX | Date: 29-07-2004 | 454 MB

The avant-garde and experimental sound of the artists from mute
Composer : Various

Steel Tones KONTAKT

FANTASTiC | May 22 2016 | 1.37 GB

Steel Tones is a multi-sampled metallic tuned percussion instrument library for Kontakt that captures the essence of a Hapi Drum. Built by Hapi Tones, the Hapi Drum is a hollow steel-chambered acoustic instrument measuring 12 inches wide and 8 inches deep (30cm x 20cm). It’s in the family of steel tongue drums, also known as tank drums or hank drums. The concept was originally pioneered by Dennis Havlena in 2007 and has evolved into various forms by numerous instrument makers. Our particular model has 8 tongues tuned to a D-major pentatonic scale. Each note has a strong fundamental tone wrapped in a haze of complex overtones and harmonics and a long, very mellow sustain. We recorded it with a close stereo pair of Neumann studio mics for a dry and very present sound, as well as a second stereo pair captured in a hall at 15 feet for an open, spacious sound. We sampled it deeply with 7 round robins and up to 9 velocity layers per note, using soft rubber mallets and hard metal mallets.