The go-to shaping tool for producers, sound designers, and composers. Create dynamic motion, intricate rhythms, and evolving textures with ease. The go-to shaping tool for producers, sound designers, and composers. Create dynamic motion, intricate rhythms, and evolving textures with ease.
In pursuit of creating the most musical form of equalization, D.W. Fearn originally designed the VT-5 to deliver tone shaping that feels natural, expressive, and deeply satisfying to use. With a tube-driven character that enhances rather than alters, it brings out the best in any source with remarkable ease. It’s an EQ that feels intuitive and rewarding, lets mixes breathe and helps sounds sit with confidence. More than a tool, it embodies a philosophy: musicality is the true measure of great engineering. In partnership with D.W. Fearn, we’ve recreated the complete sonic fingerprint of this highly regarded equalizer. Through our proprietary component-level modeling techniques, every transformer, tube stage, curve, and musical nuance of the VT-5 is faithfully captured with the flexibility and workflow enhancements of a modern plugin.
In pursuit of creating the most musical form of equalization, D.W. Fearn originally designed the VT-5 to deliver tone shaping that feels natural, expressive, and deeply satisfying to use. With a tube-driven character that enhances rather than alters, it brings out the best in any source with remarkable ease. It’s an EQ that feels intuitive and rewarding, lets mixes breathe and helps sounds sit with confidence. More than a tool, it embodies a philosophy: musicality is the true measure of great engineering. In partnership with D.W. Fearn, we’ve recreated the complete sonic fingerprint of this highly regarded equalizer. Through our proprietary component-level modeling techniques, every transformer, tube stage, curve, and musical nuance of the VT-5 is faithfully captured with the flexibility and workflow enhancements of a modern plugin.
A vibe-forward, musical processor that sounds fantastic quickly – especially on vocals, drums, and buses.
An accurate emulation of the Neumann w495 3-band EQ. Neumann w495 EQ’s were used to master 90% of the vinyl records manufactured from the 1970s to the 1990s. But even after this golden age, many mastering engineers still love this EQ. Why? Because the w495 has wide equalization curves that can be pushed to ridiculous levels while remaining musical. The w495 is an easy-to-use tone shaper for individual tracks. But It can also enhance presence and depth of an entire mix. But we’ve taken Pulsar W495 even further, adding all the key features you would expect from a modern EQ plugin, including visual curve editing for a fast workflow. From channel EQ to mastering EQ, Pulsar w495 is an easy-to-use powerful tone shaper, faithfully emulated from an iconic 3 band EQ.
apShaper is an audio effect plugin to add harmonic distortion to audio signals. It combines a waveshaper with three filter bands and various modulation options – two LFOs, a dynamics detector, and user-configurable knobs. apShaper can simulate multiple types of distortion, including tape and tube saturation, wave folding, and analog bit crushing. The three filter bands offer high-quality filtering without high-frequency squeezing. The variable-slope low-pass filter type provides smooth slopes not possible with traditional filtering – ideal to gently shape signals with large amounts of distortion applied. Multiple tone control types modelled after classic circuits allow classic bass/mid/treble tone shaping.
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