Drive Time Rock CDDA

Team: MONO | Date: 2009-02-05 | CDDA | 750 MB

Peak Time Electro Bangers

DiSCOVER | 22-05-2012  | 397 MB

WAV – REX

‘Peak Time Electro Bangers’ is another killer release for serious music makers. With over 370 MB of inspiring loops, FX and hits to blast sound systems and dancefloors. Pounding drum loops, laser-reaching synth leads and sub-heavy basslines are all ready to be crafted or used straight from the pack. This release boasts 50 bass loops, 30 synth loops, 20 drum loops, 20 music loops, 40 drum hits and 30 FX. Also included are REX files for complete loop manipulation. A huge Dubstep feel to this pack with obvious Electro and Complextro appeal make this the go-to pack for your peak time killer tracks.

Its Time For Future House Vol.1 WAV MiDi

DiSCOVER | March 18 2016 | 360 MB

‘It’s Time For: Future House Vol 1’. This pack includes Five Fantastic Construction Kits inspired by chart-topping House stars. Includes WAV and MIDI files. All the sounds are 100% Royalty-Free. ‘It’s Time For: Future House Vol 1’ includes five Construction Kits created on equipment of the highest quality analogue and digital technology. All tunes have been recorded in high quality 24-Bit/44.1kHz.

Lost In Time Dub House MULTiFORMAT

FANTASTiC | 29 February 2016 | 537 MB

Lost in Time Dub House – a superb collection of Dub sounds for the atmospheric side of the House. You’ll find a monster selection of Royalty-Free Samples taken from a wealth of classic gear, re-imagined and Dub-ready for the dancehalls of 2016. Lost in Time Dub House has over 900Mb of content, with Loops, Hits, Sampler Patches and Multi-samples expertly recorded and processed using vintage gear. 28 expertly crafted Drum Construction Kits and included their original stems and full mixes – so you can quickly put together top-quality drum tracks and isolate individual elements for processing.

Time To Get Funk and Deep Vol.2 WAV

AUDIOSTRiKE | 09/07/2015 | 402 MB

Time To Get Funk and Deep Vol.2 WAV contains samples provided by artists across the labels repertoire. Tool up with this next generation techno sound set. What you hear is what you get. The preview is constructed from unmastered raw loops, direct from the pack and at default levels so you can lock’n load directly into your DAW or sampler. Carefully selected layers, effects and stripped down loops, designed for chopping, resampling and shaping into your own sounds, instruments and productions. High-grade audio. 605MB unzipped, 201 wav files in 9 folders, 24bit 44.1kHz and tracked to 126 BPM. It’s time to get Funk’n Deep.

Time and Timbre Drum Machine MAX for LiVE

P2P | 25.05.2015 | 40.6 MB

The first of TIME & TIMBRE’s sections is a six­voice polyrhythmic and polymetric sequencer called (you guessed it) TIME. Taking the drum sequencer concept a few steps further, TIME not only lets you easily make and chain together patterns, add accents and rolls to individual steps, but also define sequence length and beat divisions freely and independently for each of its six channels. Another unique feature of TIME is the ability to apply swing to any notes in a pattern (not just 4ths, 8ths, 16ths), thus providing highly unusual and interesting varieties of ‘feel’ for your rhythms. TIME also includes four internal LFOs that can modulate anything within the device (or even any parameter in Live) and can be synced to follow the swing. Used together, TIME’s different parts can produce a near­ infinite range of unconventional grooves.

Pro Tools 8 Time Manipulation With Elastic Audio

Team iRONiSO | 04/12/10 | 321.85 MB

Fully integrated elastic audio was introduced in Pro Tools version 7.4 and gave editors the time-saving advantage of being able to change an audio file’s tempo or timing in real time without the need to render the audio. In Pro Tools 8: Time Manipulation with Elastic Audio, author Brian White shows how to adjust tempo, change pitch, and quantize audio tracks with elastic audio. This course covers auto-conforming audio loops and regions to a session’s tempo, enabling elastic audio on tracks, and using the five elastic audio plug-ins to extract as much fidelity as possible from the source material.