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  • Arcturus Nova KONTAKT
    October 29th, 2024 ⚡
    Categories:

    Arcturus Nova KONTAKT-MaGeSY

    Arcturus Nova KONTAKT

    Team ViP | 29 October 2024 | 3.8 GB

    Introducing the all-new Arcturus Nova. Our beloved classic, now reimagined and better than ever! Step into the next evolution of the Galactic Voyager Series with Arcturus. Building on the success of the original Arcturus Kontakt Instrument, Arcturus Nova retains all the cherished sounds that have made it a staple in the studios of composers worldwide, while introducing advanced features designed to enhance your creative workflow. Central to Arcturus Nova are its meticulously sampled harp recordings, harmoniously blended with vintage keyboard tones. These sounds, captured with precise fidelity, offer an exquisite palette of tranquil, romantic, and ethereal textures, ideal for creating immersive soundscapes. Arcturus Nova introduces a range of powerful new controls, including high pass and low pass filter sliders and an attack knob, offering you precise command over the instrument’s tonal characteristics. These enhancements enable you to sculpt your sound with greater nuance, whether you’re refining the warmth of a pad, shaping the attack of a pluck, or fine-tuning the atmosphere of your composition.


    Viewed 27651 By Music Producers & DJ´s.


  • Ripple Cello v1.2.0 KONTAKT
    October 23rd, 2024 ⚡
    Categories:

    Ripple Cello v1.2.0 KONTAKT-MaGeSY

    Ripple Cello v1.2.0 KONTAKT

    Team ViP | 23 October 2024 | 346 MB

    A library of playable two-note slurs for creating expressive string textures. Play overlapping pairs of notes within a perfect 4th of each other to trigger the two-note slurs, or “ripples”. On string instruments, there’s a kind of energy and life you can put into the sound as you travel between two notes, especially if you play them in a single bow stroke. You can lean into the first note expressively, and then let the second note fold into the release of the first note so that they sound like one gesture. If these notes were recorded separately, then stitched together later, it wouldn’t have the same nuance. It’s gratifying to play these two-note slurs across different dynamics. To capture this feeling, the samples are all recorded as swells. At the beginning of the swell, the second note can be played so lightly that the pitch is hardly perceptible. It’s like a ghost note. Then, as the sound grows, the slurs naturally change and adapt to keep it fresh.


    Viewed 17722 By Music Producers & DJ´s.


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