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  • Wave Arts FinalPlug 7 v7.01 WiN-TCD
    May 16th, 2024 ⚡
    Categories: AAX, VST, VST3, WiNDOWS, x64, x64, x86

    Wave Arts FinalPlug 7 v7.01 WiN-TCD Magesy

    FinalPlug 7 v7.01 WiN

    TCD | 14 November 2023 | 6.75 MB

    x64: VST3, VST2, AAX | JBridge Files For x86 Use

    FinalPlug combines a lookahead peak limiter with ITU BS.1770 loudness metering. FinalPlug can be used as an insert effect, providing limiting for gain staging or volume maximization, or can be placed at the end of your mastering chain to guarantee your audio meets loudness and true peak delivery requirements. The FinalPlug interface could hardly be simpler. When used as a loudness maximizer, select a desired output ceiling level, say -0.1 dB, and then adjust the threshold level. As you decrease the threshold you increase the volume.



    Viewed 32236 By Music Producers.


  • Granulizer v1.2.2 AAX VST3 x64 WiN-TCD
    May 16th, 2024 ⚡
    Categories: AAX, VST3, WiNDOWS, x64

    Granulizer v1.2.2 AAX VST3 x64 WiN-TCD-MaGeSY

    Granulizer v1.2.2 WiN

    TCD | 15 January 2024 | 4.7 MB

    BLEASS Granulizer is a granular texture effect plugin with randomization, 4 multi-bus audio inputs and a mesmerizing 3D visualizer. BLEASS Granulizer generates short samples (‘grains’) from different input signals by modulating different parameters which you can visualize thanks to a 3D Visualizer. The Input Stage allows you to choose between a low-shelf or high-pass filter (to filter out the bass frequencies from input) as well as a gain adjustement. BLEASS Granulizer takes up to 4 sources from different busses as inputs (compatible DAW required). When multiple busses are on, each grain is randomly extracted from one of the available sources.



    Viewed 32246 By Music Producers.


  • Soma v1.3.1 AAX VST2 VST3 x64 WiN-TCD
    May 16th, 2024 ⚡
    Categories: AAX, VST, VST3, WiNDOWS, x64

    Soma v1.3.1 AAX VST2 VST3 x64 WiN-TCD-MaGeSY

    Soma v1.3.1 WiN

    TCD | 16 May 2024 | 11.3 MB

    x64: AAX, VST3, VST2 | x86: JBridge

    A passive tube EQ that’s clean and precise enough for modern mastering. Passive tube EQs have long been praised for offering tremendous color and warmth. Their broad boosts and cuts and inherent saturation makes them a favorite option for overall tonal shaping. Knif Audio’s boutique Soma EQ updates the passive tube EQ approach by offering a cleaner, more flexible tone, as well as more precise EQ adjustments to meet the demands of contemporary mastering engineers. The first passive tube EQ with “Real Q Adjustment” taking out the guesswork  Despite their wonderful sound, old school passive EQs have their shortcomings as well. Changing the bandwidth control on a conventional passive EQ will cause you to inadvertently increase or reduce the amount of boost or cut you are applying, leading to unexpected changes in your EQ curve. The Soma EQ finally solves this problem by adding “Real Q Adjustment”. A first in the world of passive tube EQs, it allows for much more predictability and precision than any other EQ of its type.



    Viewed 31521 By Music Producers.

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  • Arpeggiator v1.1.0 AAX VST3 x64 WiN-TCD
    May 14th, 2024 ⚡
    Categories: AAX, VST3, WiNDOWS

    Arpeggiator v1.1.0 AAX VST3 x64 WiN-TCD-MaGeSY

    Arpeggiator v1.1.0 WiN

    TCD | 12 January 2024 | 7 MB

    BLEASS Arpeggiator takes the inspirationally melodic power of a classic synth arpeggiator and supercharges it with modern features demanded by today’s musicians. Developed in collaboration with top French producer Canblaster, BLEASS Arpeggiator’s capabilities extend far beyond the clichéd up-and-down monophonic patterns of an old-school synth arpeggiator, with polyrhythms, polyphony, and a large collection of highly configurable arpeggio patterns built in.



    Viewed 40748 By Music Producers.


  • LISA v1.2.1 AAX VST2 VST3 x64 WiN-TCD
    May 14th, 2024 ⚡
    Categories: AAX, VST, VST3, WiNDOWS, x64, x64

    LISA v1.2.1 AAX VST2 VST3 x64 WiN-TCD-MaGeSY

    LISA v1.2.1 WiN

    TCD | 14 May 2024 | 18.2 MB

    A new way to apply dynamic EQ

    LISA is the only tool of its kind: An all-analog dynamic EQ, featuring a dedicated opto compressor cell for each of its 6 bands. This exacting model of the original brings a new way of applying dynamic EQ to the digital domain. Now you can take advantage of the character and workflow of this boutique mastering-grade hardware in the box.



    Viewed 3674 By Music Producers.

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