Outer Space v1.1.0 WiN MAC

Team R2R | 25 Dec 2017 | WiN: 15.1 MB | OSX: 87.8 MB

VST VST3 AAX x86 x64

Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies. As the original unit, Outer Space features a tape echo section with three playback heads and a spring reverb tank. We have modelled three different tape frequency responses and saturations, along with all the analog imperfections of tape recording/playback. We’ve also modelled the ballistic response of the delay rate (repeat rate) which can create eerie pitch shifts (due to the Doppler effect), one of the classic tape echo-based sound effects

Treasure Tape Sample Loops WAV

FANTASTiC | Nov 26 2017 | 268 MB

“Treasure Tape : Sample Loops Pack” is a massive collection of sample loops created for Hiphop/Trap/Old School.This product features 5 construction kits and Loops in the style of Bigsean, Kehlani, Lil uzi vert, Travis Scott, and many more artists. It’s All 100% Hits and royalty-free for you to go all the way up with your production.

The Vibe Tape WAV

FANTASTiC | Nov 26 2017 | 185 MB

‘Vibe Tape’ provides you with an experience full of vibes and lyrical sounds. this Kits is full of all the Royalty-Free elements you need to create the perfect Hip Hop, Rap, Trap banger.  Get ready to have a vibe journey through ‘Vibe Trap’ Sounds. This collection of Kits will bring you everything you need to create your next lyrical rap, Trap and Hip Hop hits. All files are supplied in 24-Bit WAV format & MIDI files are included.

Dent v2.0 WiN

TEAM V.R | Oct 28 2017 | 8.91 MB

AAX VST VST3 x86 x64

It’s time to go deeper with your sound – way deeper. Sure, you’ve made your tracks sound nice – balanced the levels, added just the right EQ – maybe you even performed all the music. But that’s only the beginning. You want to get inside those waveforms, to tinker and explore, to realize your track’s potential and draw out a sound that had only existed between your ears. It’s time to get to know Dent 2. The original Dent was a different kind of distortion plugin, made  for every engineer and sound designer who had ever longed to manipulate the waveform on a molecular level. Now, with the release of Dent 2, audio control freaks rejoice, because Unfiltered Audio has gone subatomic. We’re talking about a let’s-sharpen-the-peaks-on-the-negative-half-of-the-waveform level of control! So if you’re looking for sweet analog hardware emulation, you better look elsewhere, because the mad scientists at Unfiltered are digital to their core, and they know exactly how to turn those ones and zeros into magic.

Tape One v1.1 WiN

Team R2R | 28 Apr 2017 | 4.2 MB

WiN32/64 – VST/AAX

Be prepared for original sound effects using Tape One ! Explore micro delay times (5 ms) exploding feedback gains (up to 110%) ping pong, filters, saturation… Tape One offers a wide range of sound manipulations, from fast-forward / slow-down tape effects, to extreme comb filters and stereo echoes.

GS-201 Tape Echo v1.2.0 VST WiN

R2R KGN | 15/10/2008 | 5 MB

Tape echo effects were invented towards the end of the fifties. Presumably the very first tape echo machine was invented by Charlie Watkins of London, England, in 1958. It was based on a small loop of 1/4 tape onto hich audio was recorded by a magnetic head and then read by three separated heads. What was read from the tape was amplified by the internal all-valve circuit and eventually recorded back to the tape, creating the eedback or sustaining echo effect. The delay time of the unit was determined by distance of the write head from the read heads, in conjunction with the sd of the tape.

Tape to Dub Plate Vol.6 Brush Bap WAV

FANTASTiC | May 22 2016 | 158 MB

Volume six contains 204 original drum breaks created using brushes. The tempos range from 85 to 100 bpm, and were specifically selected to represent the boom bap genre. Each break is provided as a pre-vinyl master and a vinyl-pressed version. Recorded directly onto analogue tape using three microphones, a close mic on the kick drum, a close mic on the snare and an overhead mic. Mixed using analogue compressors and eq’s before being sent to a Neumann cutting lathe.