Pigments v7.0.0 WiN

Team V.R | 17 December 2025 | 1.6 GB

…: AAX, VSTi, VST3i, STANDALONE :…

Pigments Polychrome software synthesizer. All-in-one software synthesizer for modern producers, blending 5 cutting-edge synthesis engines, a vivid, color-coded interface, effortless drag-and-drop modulation, premium effects and generative sequencing. Create forward with boundary-pushing sound design. The latest update refines Pigments’ core experience with an audio-reactive Play Page, new tone-shaping tools like the Rage, Ripple, and Reverb filters plus Corroder FX, and workflow upgrades that make it faster and more inspiring to design bold, mix-ready sounds.

Pigments v7.0.0 macOS

MORiA | 17 December 2025 | 1.9 GB

…: AU, AAX, VSTi, VST3i, STANDALONE :…

Pigments Polychrome software synthesizer. All-in-one software synthesizer for modern producers, blending 5 cutting-edge synthesis engines, a vivid, color-coded interface, effortless drag-and-drop modulation, premium effects and generative sequencing. Create forward with boundary-pushing sound design. The latest update refines Pigments’ core experience with an audio-reactive Play Page, new tone-shaping tools like the Rage, Ripple, and Reverb filters plus Corroder FX, and workflow upgrades that make it faster and more inspiring to design bold, mix-ready sounds.

XILS 505 v1.1.1 WiN

Team R2R | 16 December 2025 | 28.66 MB

Paraphonic Strings, Synthesizer, Bass Synth

It’s a String Machine, It’s a Synthesizer, It’s a Bass Synth And it can be the three of them simultaneously, which is why the original unit was advertised as ‘The Analog Orchestra’ We also added: A Vintage Analog Human Choir Machine (as an alternative oscillator source for the Synthesiser part) and exposed numerous hidden parameters of the vintage String Machine model. The X-505 offers all the layering and tweaking possibilities of it’s glorious ancestor, including it’s precious balance between the Strings registers, and precise balance for all the inputs of the quadruple (yes 4) BBD Chorus unit. More : A lot of hidden parameters are now exposed and available to tweak in the different X-505 panels for a much wider sound palette. A juicy sounding analog Phaser and the vintage reverb add to the pile.

Source Code v2 KONTAKT

Team ViP | 16 December 2025 | 103MB

A JOURNEY BACK TO THE BEGiNNiNG

The sound of Source Code was crafted with utmost care and attention to detail. We’ve sampled the classic analog oscillator waveforms, Triangle, Sawtooth, Reverse/Sawtooth, Square, Wide Pulse and Narrow Pulse. The “D Type” circuitry was a key component in some of the most revered analog Moog synthesizers of the 1970s. And, with our intuitive Infinite Motion Engine™ Source Code reaches new heights of sound shaping flexibility, allowing you to create anything from super-fat bass and lead tones to mesmerizing effects and progressive organ sounds. But the real magic happens when you use Source Code to tap into the boundless sounds of your imagination, conjuring up otherworldly tones that will transport you to a world beyond.

LinPlug Element P VSTi WiN

TEAM R2R | 18 February 2014 | 2.66 MB

The Element P is a specialized synthesizer for percussion sounds. It creates sounds using a simplified FM synthesis method, which is simple and easy to operate.

HT-6000 KONTAKT

P2P | 12 May 2020 | 523 MB

Casio’s uniquely powerful early-digital synthesiser • 3 digiwave oscillators with complex, involving waveforms, each with its own modulation and envelope controls • 80 factory patches plus instant patch creation with the Glitch button • Truly unusual sound palette – grainier and airier than FM or LA • Shifting, morphing soundscapes a speciality! Released in 1987, the HT-6000 came just as Casio was making a determined effort to carve out a swathe of the pro audio market. Machines like the CZ-1 phase distortion synth had already staked a claim, suggesting that Casio needn’t just be known for home keyboards; the follow-up FZ-1 sampler was a real eye-opener, offering 16-bit sampling at a shocking low price. Clearly Casio had serious designs on studio space – which makes the arrival of the HT-6000 all the more confusing. On the one hand, it boasted some truly impressive on-paper spec: four digital oscillators each capable of generating 32 different waveforms, plus analogue filters and decent modulation capabilities. On the other hand, it had built-in speakers and an overall vibe that uncertainly straddled the line between studio synth and home keyboard. Probably as a direct result of this, it failed to make a significant mark in either arena, and now remains something of a cult keyboard – largely forgotten, and all but buried under a landslide of DX7s and D50s.

KORG Multipoly Native WiN

Team R2R | 12 December 2025 | 60.64MB

..: STANDALONE, AAX, VST3, x64 :..

Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility. It’s already garnering acclaim as one of the best synths of the year. Now, Korg is pleased to announce multi/poly native, the fully-compatible software counterpart to the hardware multi/poly synthesizer. multi/poly native is available in VST3, AAX, and standalone formats on both macOS and Windows, as well as AU on macOS. You can seamlessly exchange sounds between hardware and software, and access an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. Produce in your DAW with multi/poly native, and then play the same sounds on stage using the multi/poly hardware. Create sounds with the hardware’s hands-on interface, and then share them with a computer-based collaborator.